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首页> 外文学位 >'The whole earth as a village': A chronotopic analysis of Marshall McLuhan's 'global village' and Patrick McGoohan's 'The Prisoner'.
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'The whole earth as a village': A chronotopic analysis of Marshall McLuhan's 'global village' and Patrick McGoohan's 'The Prisoner'.

机译：“整个地球都是一个村庄”：对马歇尔·麦克卢汉（Marshall McLuhan）的“全球村庄”和帕特里克·麦克高恩（Patrick McGoohan）的“囚徒”的年代分析。

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摘要

Marshall McLuhan's "global village", and his theories on communications and technology, in conjunction with Patrick McGoohan's television series The Prisoner (ATV, 1967-1968) are explored in this thesis. The Prisoner, brainchild of McGoohan, is about the abduction and confinement of a British government agent imprisoned within the impenetrable boundaries of a benign but totalitarian city-state called "The Village". The purpose of his abduction and imprisonment is for the extraction of information regarding his resignation as a government spy. Marshall McLuhan originally popularized the phrase "the global village" in The Gutenberg Galaxy: The Making of the Topographic Man (1962), asserting that, "The new electronic interdependence recreates the world in the image of a global village" (p. 31). This thesis argues that valid parallels exist between McGoohan's conception of "village", as manifested in The Prisoner, and McLuhan's global village.;The comprehensive methodological stratagem for this thesis includes Marshall McLuhan's "mosaic" approach, Mikhail Bakhtin's concept of the "chronotope", as well as a Foucauldian genealogical/historical discourse analysis. In the process of deconstructing McLuhan's texts and The Prisoner as products of the 1960s, an historical "constellation" (to use Walter Benjamin's concept) of the same present has been executed. By employing this synthesized methodology, conjunctions have been made between McLuhan's theories and the series' main themes of bureaucracy as dictatorship, the perversion of science and technology, freedom as illusion, and the individual in opposition to the collective.;A thorough investigation of the global village and The Prisoner will determine whether or not Marshall McLuhan and/or Patrick McGoohan visualize the village as an enslaving technological reality.
机译：本文探讨了马歇尔·麦克卢汉（Marshall McLuhan）的“全球村”及其通信和技术理论，以及帕特里克·麦克高汉（Patrick McGoohan）的电视连续剧《囚徒》（ATV，1967-1968年）。囚犯是麦高汉（McGoohan）的产物，讲述的是绑架和关押被囚禁在良性但极权的城市国家“村”的通透边界内的英国政府特工。绑架和监禁他的目的是为了提取有关他辞职为政府间谍的信息。马歇尔·麦克卢汉（Marshall McLuhan）最初在“古腾堡银河：地形人的形成”（1962）一词中普及了“全球村庄”一词，声称“新的电子相互依存以全球村庄的形象重现了世界”（第31页） 。本文认为，在《囚徒》中体现的麦克高汉的“村庄”概念与麦克卢汉的全球村庄之间存在着有效的相似之处。该论文的综合方法论策略包括马歇尔·麦克卢汉的“镶嵌”方法，米哈伊尔·巴赫金的“年代记”概念，以及福柯族谱系/历史话语分析。在解构麦克卢汉（McLuhan）的文本和《囚徒》（The Prisoner）作为1960年代的产品的过程中，执行了同一礼物的历史“星座”（使用沃尔特·本杰明的概念）。通过使用这种综合方法论，麦克卢汉的理论与一系列以官僚主义为专政，科学技术的扭曲，自由为幻觉以及反对集体的个人之间的主要主题之间产生了联系。全球村庄和囚犯将确定马歇尔·麦克卢汉（Marshall McLuhan）和/或帕特里克·麦克高（Patrick McGoohan）是否将该村庄形象化为奴役的技术现实。

著录项

  • 作者

    Maggio, Nicole.;

  • 作者单位

    Brock University (Canada).;

  • 授予单位 Brock University (Canada).;
  • 学科 Multimedia Communications.
  • 学位 M.A.
  • 年度 2009
  • 页码 180 p.
  • 总页数 180
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-17 11:38:28

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