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首页> 外文学位 >Modernism's material forms: Literary experiments in transatlantic print culture, 1880--1945.
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Modernism's material forms: Literary experiments in transatlantic print culture, 1880--1945.

机译：现代主义的物质形式：跨大西洋印刷文化的文学实验，1880--1945年。

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摘要

This project asks what print culture meant to modernist writers and publishers and explores the multiple ways in which they experimented with the cultural associations, readerly expectations, and visual landscapes offered by various vehicles of print circulation. While recent critical attention has focused on the intersections between modernism and the marketplace, these critical conversations focus intensively on content and on authors' biographical experiences while mostly neglecting to consider how market forces interact with literary forms. My work argues for a new focus on the connections between material textual production and formal techniques. I draw both on recent textual theory and on archival materials in order to develop my readings of the formal experimentation of modernist texts. This dissertation argues that modernist formal experimentation was in its very essence developed in dialogue with material conditions of publication, circulation, and reading, and with the cultural associations clustered around different modes of transatlantic print culture. Thus, in one chapter I explore Henry James's play with the printed landscape offered by illustrated popular magazines and newspapers in his story "The Real Thing" and in another I consider how Woolf redefines the material form of a work of biography in her Hogarth Press edition of Flush: A Biography. In addition to chapters focused on modernist experiments with particular print forums, my dissertation also explores moments when modernist writers engage with ideas about print circulation and with the cultural associations offered by different aspects of print culture. In my third chapter, my rereading of The Waste Land argues for Eliot's interest in the cultural legacy of nineteenth-century narrative circulation and my second chapter contextualizes Henry James's shifting uses of telegrams in his fiction as part of his career-long investment in the material forms and cultural history of telegraphic communication. Through multiple local readings that situate modernist texts within their historical contexts of production and dissemination, I argue that modernism's material forms are fundamentally experiments with and in what the modernists themselves saw as a world of print.
机译：该项目询问印刷文化对现代主义作家和出版者意味着什么，并探索他们尝试多种文化传播媒介提供的文化联想，读者期望和视觉景观的多种方式。尽管最近的批评焦点集中在现代主义和市场之间的交汇处，但这些批评性的谈话集中在内容和作者的传记经历上，而大多数时候却忽略了考虑市场力量如何与文学形式互动。我的工作主张重新关注材料文本生产与形式技术之间的联系。我借鉴最新的文本理论和档案资料，以发展对现代主义文本形式实验的理解。本论文认为，现代主义形式实验的本质是在与出版，发行和阅读的物质条件以及围绕跨大西洋印刷文化的不同模式聚集的文化协会的对话中发展起来的。因此，在一个章节中，我将探讨亨利·詹姆斯（Henry James）在其小说《真实的事物》中由插图杂志和报纸提供的印刷风景的戏剧，而在另一章中，我将考虑伍尔夫（Woolf）如何在其荷加斯新闻社（Hogarth Press）中重新定义传记作品的物质形式冲洗：传记。除了专注于特定印刷论坛的现代主义实验的章节之外，我的论文还探讨了现代主义作家参与有关印刷流通思想以及印刷文化不同方面提供的文化联系的时刻。在我的第三章中，我对《荒原》的重新阅读证明了艾略特对19世纪叙事传播的文化遗产的兴趣，而我的第二章则将亨利·詹姆斯在小说中使用电报的转变背景作为他对材料的职业生涯投资的一部分通讯的形式和文化历史。通过多次在本地阅读中将现代主义文本置于其生产和传播的历史语境中，我认为现代主义的物质形式从根本上是对现代主义者本身的尝试，并以此作为现代世界的尝试。

著录项

  • 作者

    Emery-Peck, Jennifer J. Sorensen.;

  • 作者单位

    University of Michigan.;

  • 授予单位 University of Michigan.;
  • 学科 Literature Modern.;Literature American.;Literature English.
  • 学位 Ph.D.
  • 年度 2009
  • 页码 376 p.
  • 总页数 376
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;
  • 关键词

  • 入库时间 2022-08-17 11:38:29

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