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Exploring Personal Truth: Staging a Theatre of the Body

机译：探索个人真理：演练身体剧场

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摘要

This thesis explores the performer's idiosyncrasy as a source of inspiration to (re)create a theatre of bodily experience. Conducting my own research in performing arts, I often experienced a theatre that was lacking physicality. On the contrary, dance theatre captivated me by allowing the body of the performer to tell its story in front of an audience. Revealed in its pure presence, the body and physicality of the performer shows a side of human beings that is often hidden, confined, or even repressed.;My personal performing experience within a place of inner truth has largely influenced the way I wanted to collaborate on a creative process. Le Jardin, my thesis piece, was created with five female performers. Sharing their history/memories and world views through physicality, the performers created a map of metaphors and moving image in which the body could live. Pushed to the limits of human possibilities, each body generated a singular meaning, which showed the complexity of the human character. This thesis shows that in sharing the performers' inner intensity and pure presence, there is a potential for an emotional release, for both the performers and the audience. I believe that it is through the recognition of this theatrical experience that a profound communication can happen.
机译：本文探讨了表演者的特质，作为激发（重新）创造身体体验剧院的灵感来源。在进行自己的表演艺术研究时，我经常体验缺乏物理性的剧院。相反，舞蹈剧院让表演者的身体在观众面前讲述自己的故事，这深深吸引了我。表演者的身体和身体在纯粹的存在下得以展现，显示出人类的一面通常被隐藏，局限甚至压抑。;我在内心真实的地方所经历的个人表演极大地影响了我想要合作的方式在创作过程中。我的论文《 Le Jardin》是由五位女性表演者创作的。表演者通过身体分享他们的历史/回忆和世界观，表演者创建了一个隐喻地图和动态图像，身体可以在其中生活。逼迫人类可能性的极限，每个身体都产生了一种奇异的含义，这表明了人类性格的复杂性。本论文表明，在分享表演者的内在力量和纯粹的存在时，对于表演者和观众而言，都有释放情感的潜力。我相信通过对这种戏剧经验的认识，才能进行深刻的交流。

著录项

  • 作者

    Alberge, Florian.;

  • 作者单位

    The University of Utah.;

  • 授予单位 The University of Utah.;
  • 学科 Dance.;Theater.;Performing arts.
  • 学位 M.F.A.
  • 年度 2017
  • 页码 58 p.
  • 总页数 58
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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