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首页> 外文学位 >Imagining community: Individual influence and group cohesion in American avant-garde poetry and poetics.
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Imagining community: Individual influence and group cohesion in American avant-garde poetry and poetics.

机译：想像社区：美国前卫诗歌和诗学中的个人影响力和群体凝聚力。

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摘要

This project explores the efforts of American self-consciously avant-garde poets to develop an intellectual and pedagogical community for the 20 th century experimental poet, focusing on the patterns of influence and repetition that have defined the practice and analysis of American avant-garde poetry and poetics since modernism. It argues that avant-garde texts are always, at least in part, produced in conscious conjunction with the production of their own specialized community of readers. Thus, the designation "avant-garde" is treated as an indicator of a set of social and pedagogical aims more than as the expression of an objective literary new. To this end, it traces the development of a number of modernist and avant-garde anthologies and periodicals devoted to "avant-garde" or "experimental" poetry and poetics.;Ezra Pound's work with Poetry magazine and in the development of anthologies of new poetry, as well as his later poetic style; William Carlos Williams' development of the colloquial poetic voice; and Gertrude Stein's hybrid prose are taken as models for later generations of American poets working in the avant-garde tradition, such as the Language writers, the new generation of Southern poets as expressed in Bill Lavender's anthology Another South, digital poetries, and North Carolina's Lucifer Poetics Group and its attendant listserv. Digital poetries and listservs, in particular, are treated as the culmination of the avant-garde project, combining and expressing aspects of poetry, prose, criticism, the archive, local identity, and community.
机译：该项目探索美国自觉前卫诗人为发展20世纪实验诗人的知识和教学共同体而付出的努力，重点是影响和重复的模式，这些模式定义了美国前卫诗歌的实践和分析。和现代主义以来的诗学。它认为，前卫的文本总是至少部分是在有意识的结合他们自己的专业读者群体的产物的情况下产生的。因此，“前卫”这个称呼被更多地看作是一系列社会和教学目标的指示，而不是客观的文学新事物的表达。为此，它追溯了许多现代主义和前卫选集以及致力于“前卫”或“实验”诗歌和诗学的期刊的发展。埃兹拉庞德在《诗歌》杂志上的工作以及新诗选集的发展诗歌，以及他后来的诗歌风格；威廉·卡洛斯·威廉姆斯的口语诗意声音的发展；和格特鲁德·斯坦（Gertrude Stein）的杂文作为后代从事先锋派艺术的美国诗人的榜样，例如语言作家，比尔·拉文德（Bill Lavender）的选集《另一南方》，数字诗歌和北卡罗来纳州路西法诗学小组及其服务人员。尤其是，数字诗歌和榜单服务被视为先锋项目的高潮，结合并表达了诗歌，散文，批评，档案，本地身份和社区等方面。

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  • 作者

    Nicholas, Tessa Joseph.;

  • 作者单位

    The University of North Carolina at Chapel Hill.;

  • 授予单位 The University of North Carolina at Chapel Hill.;
  • 学科 Literature Modern.;Literature American.
  • 学位 Ph.D.
  • 年度 2008
  • 页码 165 p.
  • 总页数 165
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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