The film, Devils on the Doorstep which is directed by Jiang Wen, is studied from the angle of double anxiety of see-ing and being seen. The film has subverted the traditional narrative mode of anti-Japanese films, dispelling a series of grand abstract object, such as noble, authority and community, attempting to restore historical individuality, folk and privacy and ana-lyzing the real existence of national aureole through the metaphorical narration, with the realization of the fable on two national character destiny.%从“看”与“被看”的双重焦虑视角进入姜文的电影《鬼子来了》，影片颠覆了传统抗日题材电影的模式，消解了崇高、权威、集体等一系列宏大抽象客体，试图进一步还原历史的个人性、民间性和私密性，尝试通过充满隐喻的叙事剖析国家民族光环下的真实存在，实现对中日两个民族性格命运的寓言。
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