Based on the Chinese early films, cultural mentality of "the reunion "ending in films is perceived. It is not only the beauty of the Confucian aesthetics ideal in the reflection of art, but also is the result that Chinese philosophy and traditional culture infiltrate out such as China's traditional outlook on life cycle with a profound mass foundation and cultural roots. On the basis of this, their cultural meaning from pros and cons is dialectically conveyed so as to generate consideration about the change of the Chinese films with descriptive idea and creative technique.%以早期电影作品为考察对象,透视影片中"大团圆"现象背后所蕴涵的文化心理:既是"中和之美"的儒家美学理想在艺术中的体现,也是中国传统的循环人生观等中国哲学与传统文化浸润出来的结果,有着深厚的民众基础和文化根基.在此基础上对其文化意义从正反两面进行辩证的评判,以此引发对当今中国电影叙事观念以及创作手法的更新变化的思考.
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