首页> 中文期刊> 《惠州学院学报》 >两宋造物艺术之审美趋向

两宋造物艺术之审美趋向

         

摘要

As the inheritance of Han-Tang periods and the opening of Ming-Qing periods,the Song Dynasty’s creation art is an impor-tant turning point of the development process of Chinese design art. The science-study and the aesthetic interests,advocated by literary intellectuals,brought tremendous impact to creation art in the field of ideology. In the field of culture,the infection of painting art turned some of the implements away from practical appliances to products for people to appreciate. Besides that,in the field of society, the prosperity of the civil design driven by the rise of citizen stratum made the origin of the Chinese ancient folk creation system. Com-pared with the Han-Tang periods,the Song Dynasty’s creation art developed toward rigorous and rational and it also presented more secular and realistic tendency. The overall style of the Song Dynasty’s creation art changed fundamentally along with this tendency,and appeared a significantly different artistic characteristic from the past.%两宋造物上承汉唐下启明清,是中国设计艺术发展历程中一次重要转折。在思想领域,理学的产生与文人所倡导的审美趣味给造物艺术带来了巨大影响;在文化领域,绘画艺术的侵染使得一部分器物脱离了实用功能,转而变为欣赏品;在社会领域,市民阶层的兴起带动民间设计蓬勃发展,中国古代民间造物体系发端于此。与汉唐相比,两宋造物在走向严谨与理性的同时,又向着世俗性与生活化发展,其整体风貌也随之发生了根本转变,呈现出不同于以往的艺术风格。

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