摘要:The Research of the Subsistent States of the Artists Living in Guilin During the Anti-Japanese Period;A Brief History of Calligraphy Art of Chongqing as Provisional Capital during the Anti-Japanese Period;The Endless Stream and Terraced Mountains:on the Analysisof Spacein Chinese Landscape Painting of Gongxian;Political Vanguard in the Perspective View of the Formalism Aesthetic: 1980s Abstract Painting in China;Comparison of the Early-Stage Spreading of Western Pre-Modem Style Painting and Its Influence in China and Japan.