以中国当代作曲家崔世光钢琴曲《钢琴上的福斯特》为研究对象，具体分析作品演奏技巧，认为作品充分反映了崔世光一直追寻的“中西结合”的创作理念。旨在为崔世光钢琴作品研究者与演奏者提供参考。%Based on the contemporary Chinese composer Cui Shiguang’s Piano on Forster as the ob-ject of study,the article concretely analyses the performing technique of the music work,and holds that the work reflects Cui Shiguang’s constant creation concept of the combination between China and the West so as to provide reference for the researchers and performers of Cui Shiguang’s piano works.
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