首页> 中文期刊> 《南通大学学报(社会科学版)》 >艾丽丝·门罗小说中开放包容的性别艺术

艾丽丝·门罗小说中开放包容的性别艺术

         

摘要

Famous Canadian short story writer Alice Munro portrays the lives of ordinary women as wives, mistresses, daughters and mothers in her works, which shows her concern and philosophical reflections on females' living situation. She subverts the traditional binary narrative mode, deconstructs the definition and discipline of femininity in stereotypical gender-scripts, rethinks radical feminism, articulates a refusal to follow the rule of an either/or opposition and constructs females' dynamic diverse identity from the both-at-once perspective. All of these reveal her implicit and non-program-matic gender position. To sum up, Munro, on the premise of respecting gender differences, displays the uniqueness of fe-male discourse instead of centrality, highlights females' diverse living experiences, returns to real life and manifests her open and inclusive art of gender.%加拿大著名短篇小说家艾丽丝·门罗在作品中用细腻深刻的笔触描摹了普通女性作为妻子、情人、女儿以及母亲的生活,表达了对女性生存状态的关注与哲学反思.她颠覆了传统二元对立的叙事模式,打破了传统"性别文本"对女性特质的界定与规训,又对激进女权主义进行了反拨,回避"非此即彼"(either/or)的社会价值定位,采用"多者并存"(both-at-once)的多维视角重构了女性动态发展的多元身份,反映了其谦逊含蓄、非教条式的"后"女性立场.总之,门罗在尊重性别差异的前提下,彰显女性话语的独特性而非中心性,凸显女性多元的生存体验,回归生活的本真状态,展现了其开放包容的性别艺术.

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