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人的救赎与救赎的艺术

         

摘要

The principle of 'ambiguity tolerance' required and advocated by aesthetic modernity renders possible the 'salvation of art' in the process of subject construction,which is also the main appeal in the literary creations of Wang Xiaobo.The ambiguity and pluralistic interpretations of textual allegories,the profundity and caprice of characters' fates,the discovery and construction of poetic survival,the exploration and pursuit of poeticized portrayal,etc.constitute the necessary elements of aesthetic modernity in Wang's literary works.The assertion that the essence of art lies in its 'unpredictability' unveils the highlights of aesthetic modernity in the form of fictional texts.The text construction mode of 'exhausting all avenues' is not merely a simple writing concept and composing method,but rather an effective means of 'self-verification' and 'self-recomposition' for the writer.The constituent elements of aesthetic modernity have opened up an endless vista of innovation and redemption for Wang Xiaobo's initiatives of literary creations and subject construction.%审美现代性所要求和提供的"歧义宽容"原则,使"艺术的救赎"在主体建构中成为可能,这是王小波文学创作的一个主要诉求。文本寓意的歧义、多元,人物命运的丰富、可变,"诗意"人生的发现和构建,"诗化"表达的探索和追寻,等等,构成了王小波文学作品的审美现代性要素,关于艺术的真谛在于"叵测"的论断,更是以小说文本的虚构形式揭示审美现代性的精彩之作,"穷尽可能"的文本构建方式已经不仅仅是一种单纯的写作观念和写作方法,而成为作家"试验自我"和"改写自我"的一个有效途径。审美现代性要素为王小波的文学创作和主体建构开启了创新和救赎的无限空间。

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