首页> 中文期刊> 《内江师范学院学报》 >张大千“海派”花鸟画艺术风格的形成与特征钩沉

张大千“海派”花鸟画艺术风格的形成与特征钩沉

         

摘要

As the first man for over five hundred years in the modern Chinese painting,the master ZHANG Da-qian be-gan to study painting in his childhood.He once made his study from his mother,his brother,other masters,some ancient painters and nature.In this period,he gradually got associated with some masters of “Shanghai School”and was involved in the painting of it,which contributed to the final formation of his style of flower-bird painting.His works,especially flower-bird ones,have been classified into “Shanghai School”by the circle of Modern Chinese painting.And he has been considered u-nanimously as the most representative painter of the School.%作为“五百年来第一人”的中国近代国画大师,张大千自幼学画,一生先后经历了师母兄,师名家,师古人,师自然的学习过程。这其中,张大千与“海派”名家及与“海派”绘画之间渐入的因缘关系,是他的花鸟画风格形成并定最终定格的重要因素,他的绘画尤其是花鸟画创作已经被中国近代国画界冠以“海派”绘画,他本人也因此被海上画家公认为“海派”第三代最有代表性的画家。

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