尚·丁格利，20世纪瑞士后现代艺术家，以独特的动力装置作品震撼欧美各大现代美术馆。一生曾多次受包括纽约现代艺术馆在内的多家有影响力的美术馆邀请为其创作，最终使达迭主义以独立的艺术风格跻身世界艺术吏，然而他本人却拒绝承认属于达达主义者。正因如此，国内研究达迭主义艺术的学者总是将目光集中于马塞尔·杜尚，而忽略对丁格利艺术理念的研究，而事实上，正是丁格利的作品以更加清晰、全面的艺术理念体现了迭达主义精神。%Jean Tinguely, a post-modem Swiss artist in the 20th century, shocked Museums of Modem Art with his works of unique power devices. He has been invited by a number of influential art museums many times, including New York Museum of Modem Art, to create art works for them and ultimately made the Dada art go down into the world＇s art history as an independent artistic style. But he refused to acknowledge himself to be a Dadaist. Thus, domestic scholars in Dada art research field have always focused on Marcel ？ Duchamp, while ignoring the Tinguely＇s artistic ideas. In fact, it is Tinguely＇s works that reflect the spirit of Dadaism with more clear and comprehensive artistic concept.
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