SinceTheBookofSongsis the most highly recognized Zheng origin of poetry style, the“Feng Ya Zheng Bian”theory put forward in Preface to Mao Poetry lays the foundation of the Zheng Bian Theory in poetry style. At present, it is generally recognized by scholars that this theory contains two systems: Zheng Bian of poetry and Zheng Bian of time, but scholars don’t know that the vicissitude of time has dual meaning: vicissitude of the orthodox Zhou royal family and vicissitude of political reality. Actually, this theory has origin in“Zheng Bian”Theory which comes from the admiration for original ideas in the pre-Qin dynasty. So, it takes Zheng origin-esteeming as its core characteristic and value. This theory contains two Zheng Bian systems: The first is the poetic implication’s Zheng Bian which is closely linked with the vicissitude of political reality; the second is the social Zheng Bian in poems which is determined by the vicissitude of the orthodox Zhou royal family.%《诗经》是古代认可度最高的诗体正源头，《毛诗序》提出的《诗经》风雅正变理论堪称诗体正变观的奠基之论。目前许多学者误认为风雅正变本没有或不应有“崇正”的内涵，虽普遍关注到其中“诗”之正变与“时”之正变的差异，但未明辨“时变”的双重含义———当时正统世运与时政兴衰。其实，风雅正变理论特色及价值正在于崇正推源，包含两个正变体系：一是最受瞩目的诗意格正变，与时政兴衰紧密相联；二是诗中所反映的世运正变，由正统周王室“王道”的兴衰决定，是其划分风雅正变的实际依据。而“源”与“正”、正统世运与时政兴衰无法重合的现实，则是其理论矛盾所在，也是历代风雅正变论争产生的根源。
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