首页> 中文期刊> 《云南大学学报(社会科学版)》 >论两晋文艺的美学风格及其精神

论两晋文艺的美学风格及其精神

         

摘要

两晋150余年间,文艺美学风格、精神一方面承继汉魏遗产,另一方面创造出自己的风格、精神.西晋文艺以诗文为主形成集大成的"华美"风格,它在西晋文艺堕入卑俗的描写中起着消极作用,而又在西晋文艺回归凡俗的抒写中发挥积极作用.东晋文艺综合呈现出"清""淡""雅"之美,铸成"晋人的美"的同时开启唐宋文艺美学风格.西晋文艺"华美"到东晋文艺"清""淡""雅"之美其实是西晋世俗精神向东晋超越精神的转向的外在显现,两晋文艺美学风格及其精神的转变提示着晋人的自我救赎.%The West Jin Dynasty and the East Jin Dynasty(265—420)lasted for over 150 years,and their aesthetic style and spirit of literature and art inherited the heritages of the Han Dynasty and the Wei Dynasty on the one hand,and had developed their own features on the other hand.The West Jin Dynasty formed a gorgeous style in poetry and prose with negative influence on the description of the vulgar,but also positive influence on the description of the worldly.The East Jin Dynasty presented the integrated beauty of purity,simplicity and grace,which was typical of the Jin people and ushered in the aesthetic style and spirit of literature and art of the up-coming Tang and Song dynasties.The transformation from the gorgeous style in the West Jin Dynasty to the integrated beauty of purity,simplicity and grace in the East Jin Dynasty was in fact a shift from a vulgar spirit to a transcendence-developing spirit,a mirror of the self-redemption of the Jin people.

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