This paper reexamines the nature of “new sensation school” from the perspective of “elec⁃tric” media .“New Sensation” proceeds from Cubism,FET, the synchronization of people and view,trying to surpass the linear logic and epistemology of Western industrial society with “logic of shocking”. Instead of regarding“New Sensation” as foreign literary field which contains“form determines content”,it is a change of cognitive styles in the electronic information age.In fact,“New Sensation” is just the “logic of shocking”which means the abruption between text characters and character meaning,not the“logic of knowledge”,but the logic of the pursuit of pleasure.“New Sensation” which emphasizes the pursuit of pleasure is not compati⁃ble with cognitive logic.“New Sensation” represents the deviation of behavior and consciousness,and predi⁃cates the fragmentation nature of multiple personality disorder in the electronic information society. Mean⁃while,Yokomitsu uses the confrontation between“yes” and“no” to symbolize the conflict between East Asia psychology and European Rationalism,and tries to defend“nothing” cultural body of Japan with binary com⁃parison between eastern and western culture.%文章以“电”媒介为视角重新考察“新感觉派”的本质。“新感觉”从立体主义、场效应、人景同步的知觉完型出发，试图以“电击逻辑”超越西方工业社会的线性逻辑和认识论。与其将“新感觉”视为形式决定内容的洋场文学，还不如说它是电子信息时代认知方式的一次转变。“新感觉”本质上是文字符面与符意关联扯断的“电击逻辑”，不是知识的逻辑，是追求“爽”的逻辑，注重“爽”的“新感觉”与认知逻辑极度不兼容。“新感觉”表征的是行为和意识的乖离，预言了电子信息社会人格多重分裂的碎片化本质。同时，横光利一以“有”与“无”的“对决”来象征东亚知性与欧洲理性的冲突，力图用东西方二元对立的比较文化来捍卫日本“无”的文化主体。
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