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首页> 美国卫生研究院文献>Frontiers in Human Neuroscience >Some like it hot: spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music
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Some like it hot: spectators who score high on the personality trait openness enjoy the excitement of hearing dancers breathing without music

机译：有点喜欢：在人格特质开放性上得分高的观众喜欢听舞者呼吸而没有音乐的兴奋

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Music is an integral part of dance. Over the last 10 years, however, dance stimuli (without music) have been repeatedly used to study action observation processes, increasing our understanding of the influence of observer’s physical abilities on action perception. Moreover, beyond trained skills and empathy traits, very little has been investigated on how other observer or spectators’ properties modulate action observation and action preference. Since strong correlations have been shown between music and personality traits, here we aim to investigate how personality traits shape the appreciation of dance when this is presented with three different music/sounds. Therefore, we investigated the relationship between personality traits and the subjective esthetic experience of 52 spectators watching a 24 min lasting contemporary dance performance projected on a big screen containing three movement phrases performed to three different sound scores: classical music (i.e., Bach), an electronic sound-score, and a section without music but where the breathing of the performers was audible. We found that first, spectators rated the experience of watching dance without music significantly different from with music. Second, we found that the higher spectators scored on the Big Five personality factor openness, the more they liked the no-music section. Third, spectators’ physical experience with dance was not linked to their appreciation but was significantly related to high average extravert scores. For the first time, we showed that spectators’ reported entrainment to watching dance movements without music is strongly related to their personality and thus may need to be considered when using dance as a means to investigate action observation processes and esthetic preferences.
机译：音乐是舞蹈不可或缺的一部分。然而，在过去的10年中，舞蹈刺激（无音乐）被反复用于研究动作观察过程，从而加深了我们对观察者身体能力对动作感知影响的理解。此外，除了训练有素的技巧和同理心特质外，很少有人研究其他观察者或观众的属性如何调节动作观察和动作偏好。由于在音乐和人格特质之间已显示出很强的相关性，因此我们旨在研究在呈现三种不同的音乐/声音时，人格特质如何影响舞蹈的欣赏。因此，我们调查了52个观众观看个性化特质与主观审美体验之间的关系，这些观众观看了24分钟持久的当代舞蹈表演，并在大屏幕上投影，该大屏幕上包含针对三个不同音谱执行的三个运动短语：古典音乐（即巴赫），电子声音分数，一段没有音乐但听见演奏者呼吸声的部分。我们发现，首先，观众对没有音乐的观看舞蹈体验的评价与有音乐的观看体验明显不同。其次，我们发现观众对“五大”人格因素开放度的得分越高，他们越喜欢无音乐部分。第三，观众对舞蹈的体会与他们的欣赏力没有关系，但与较高的平均性格外向得分显着相关。我们首次展示了观众报告的观看舞蹈而没有音乐观看的行为与他们的个性密切相关，因此，在将舞蹈作为一种手段来调查动作观察过程和审美偏好时，可能需要考虑这些因素。

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