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首页> 外文期刊>Architectural Research Quarterly >The viewer immersed in multiple modes of representation Following the drawing on the ground
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The viewer immersed in multiple modes of representation Following the drawing on the ground

机译:观众沉浸在多种表现模式中跟随地面上的图画

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摘要

The experience of the exhibition On the Surface - a retrospective of the work of Metis, the Edinburgh-based atelier of Mark Dorrian and Adrian Hawker, presented in the exhibition space of The Aarhus School of Architecture - is choreographed as a walk over superimposed fragments of architectural representations. This action of walking, of following the drawing on the ground, enables the erasure of the specific time/place chronotopes of the seven exhibited projects, allowing new itineraries to be drawn through the crossing of this complex context.
机译:在Aarhus建筑学院的展览空间中展出了展览“在表面上”的经历,该展览是对梅蒂斯(马克·多里安(Mark Dorrian)和阿德里安·霍克(Adrian Hawker)的爱丁堡工作室)的回顾展,该展览的编排过程是漫步在建筑表示。这种在地面上行走,跟随地面行走的动作,可以消除所展示的七个项目的特定时间/地点的时空表,从而可以在这种复杂的环境中划出新的行程。

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