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Media Arts Revisited: MARs

机译：再谈媒体艺术：MAR

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Media Arts Revisited, or MARs as we have come to think of this issue, pays homage to the creative, practice-based, materialist legacy of experimental media production in Canadian Communication Studies. It is arguable that the materiality of the media has mattered to Canadian communication scholarship, a materiality that manifests itself in many forms, including a concern with policy and political economy, with social and political practices, with the formal properties of media forms and formats, and finally with the embodied aspects of communications. There is also, in this context, a strong and vibrant strand of inquiry into media that draws upon this legacy to explore its aesthetic, poetic potential. As scholars in our field, such as Michael Darroch, Janine Marchessault, Paul Heyer, and the late Donald Theall have indicated, Edmund Carpenter, and Jaqueline Tyrwhitt and Marshall McLuhan were concerned with the media poetics and played with them on the pages of their famous journal, Explorations.
机译：回顾过去的媒体艺术，或我们认为的MARs，向加拿大传播研究中实验性媒体制作的创造性，基于实践的唯物主义传统致敬。可以说，媒体的重要性与加拿大的传播奖学金息息相关，加拿大的传播奖学金以多种形式表现出来，包括对政策和政治经济学，社会和政治实践的关注，以及媒体形式和形式的形式特征，最后是沟通的具体方面。在这种情况下，媒体也进行了强烈而充满活力的调查，以利用这一遗产来探索其美学，诗意的潜力。正如我们领域的学者，例如迈克尔·达罗奇，詹妮·马歇索，保罗·海耶和已故的唐纳德·西尔所指出的那样，埃德蒙·卡彭特，杰奎琳·特惠特和马歇尔·麦克卢汉都关心媒体诗意，并在他们著名的书页上与他们嬉戏玩耍。杂志，探索。

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