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Review Essay Cosmic Mcluhan

机译：评论Essay Cosmic Mcluhan

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摘要

The McLuhan "revival," announced on the front page of The Globe and Mail in July of 1995, is itself now in need of revivification; both of these volumes suggest that the time has come to ask some new questions about McLuhan and his legacy. Marchessault positions McLuhan as a theorist of "cosmic media," where "cosmic" has some of the heft of "global," as in the title of the book's third section, "Global Theatre," which is preceded by "Cambridge" and "America." The overall focus of Marshall McLuhan: Cosmic Media is on McLuhan's "methodology," though there is already a hint in these section titles of the biographical approach to McLuhan that inaugurated the McLuhan revival, via Philip Marchand's excellent biography, published in 1987. Marchand's book was so excellent, in fact, that it overshadowed the important (if incomplete) selection of letters published two years earlier, a selection that still rewards serious examination.
机译：1995年7月在《环球邮报》的头版上宣布的麦克卢汉“复兴”本身现在需要复兴。这两个卷都表明，是时候问一些关于麦克卢汉及其遗产的新问题了。 Marchessault将McLuhan定位为“宇宙媒体”的理论家，其中“宇宙”具有“全球”的部分含义，如该书第三部分“全球剧院”的标题一样，其前面是“剑桥”和“美国。” 《马歇尔·麦克卢汉：宇宙媒体》的整体焦点是麦克卢汉的“方法论”，尽管这些部分标题已经暗示了麦克卢汉的传记方法，这是通过1987年菲利普·马尔坎德的出色传记开始了麦克卢汉的复兴。马尔尚的书实际上，它是如此出色，以至于它掩盖了两年前出版的重要信件（如果不完整）的选择，这一选择仍然值得认真的检查。

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  • 来源
    《Canadian journal of communication》 |2009年第1期|p.159-162|共4页
  • 作者

    Richard Cavell;

  • 作者单位

    Department of English at the University of British Columbia, Vancouver, BC V6T 1Z1;

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