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Integrating Distinctively Canadian Elements into Television Drama: A Formula for Success or Failure? The Due South Experience

机译:将独特的加拿大元素融入电视剧中:成功还是失败的秘诀?南方体验

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摘要

The production of indigenous Canadian television drama, despite cultural importance ascribed to the genre, has been continually beset by funding and other problems. This situation prompted Canadian producers to concentrate upon the production of so-called industrial dramas that attempt to minimize or completely mask their Canadian origins and are designed primarily for the export market. There have been exceptions―North of 60, Black Harbour, Due South. These identifiably Canadian dramas garnered significant numbers of viewers at home as well as foreign audiences. Based upon a case study of Due South, the authors suggest that distinctive Canadian elements need not be viewed as detriments to a show's success but rather be regarded as potential assets that can help a program distinguish itself from its competitors.
机译:尽管该类型具有文化重要性,但加拿大本土电视剧的制作一直受到资金和其他问题的困扰。这种情况促使加拿大的制片人将精力集中在所谓的工业戏剧的制作上,这些戏剧试图最大限度地减少或完全掩盖其加拿大血统,并且主要是为出口市场而设计的。例外情况是:Due South州黑港60号以北。这些可识别的加拿大戏剧在国内和外国观众中吸引了大量观众。基于对Due South的案例研究,作者建议,加拿大的独特元素不必被视为对展览成功的不利,而应被视为可以帮助节目与竞争对手脱颖而出的潜在资产。

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