How changing cultural distribution mechanisms change,and paradoxically, do not change, the global cultural system

Christof Demont-Heinrich

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How changing cultural distribution mechanisms change,and paradoxically, do not change, the global cultural system

机译：如何改变文化分配机制的变化，矛盾，不要改变，全球文化体系

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The geography of digital distribution by Ramon Lobato (2019) and Locked out: Regional restrictions in digital entertainment culture by Evan Elkins (2019) provide fascinating views on the ways in which online distribution of cultural content has, and, paradoxically, also has not, changed the lay of the global land in terms of what du Gay et al. long ago described as the "Circuit of Culture", or the production, distribution, consumption, representation and regulation system across which cultural content emerges and circulates. Lobato and Elkins both cast detailed, interesting, informative and reflective lenses on the intersections between technology, culture, politics, economics and identity and both shine a bright light on a dimension of the Circuit of Culture that often tends to be overlooked: Distribution.

机译：RAMON LOBATO（2019）的数字分布地理分布并锁定：EVAN ELKINS（2019年）的数字娱乐文化中的区域限制提供了对文化内容的在线分配和矛盾的方式的方式令人着迷的看法，也没有，就Du Gay等人而言，改变了全球土地的职位。很久以前被描述为“文化电路”，或文化内容的生产，分销，消费，代表和监管系统出现并循环。 Lobato和Elkins在技术，文化，政治，经济学和身份之间的交叉路口施放了详细的，有趣的，信息和反射镜头，并且在培养赛道的维度上发光亮光，往往往往被忽视：分布。

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《The communication review》 |2020年第4期|245-250|共6页
作者
Christof Demont-Heinrich;
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University of Denver;

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How changing cultural distribution mechanisms change,and paradoxically, do not change, the global cultural system

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