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首页> 外文期刊>Configurations: A Journal of Literature, Science, and Technology >Shakespeare's Last Act: The Starry Messenger and the Galilean Book in Cymbeline
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Shakespeare's Last Act: The Starry Messenger and the Galilean Book in Cymbeline

机译：莎士比亚的最后一幕：辛比林（Cymbeline）的星空使者和伽利略书

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摘要

In the novel 2010: Odyssey Two, Arthur C. Clarke presents a spectacle of sheer sublimity rather obviously designed to whet his fans' appetites for a cinematic sequel to his 1969 collaboration with director Stanley Kubrick. As a spaceship prepares for its destined landing on the planet Jupiter, the narrator expresses the unspoken awe of the anxious crew by allowing us to see through their eyes: Jupiter was already larger than the Moon in the skies of Earth, and the giant inner satellites could be clearly seen moving around it.... The eternal ballet they performed-disappearing behind Jupiter, reappearing to transit the daylight face with their accompanying shadows-was an endlessly engaging spectacle. It was one that astronomers had watched ever since Galileo had first glimpsed it almost exactly four centuries ago; but the crew of the Leonov were the only living men and women to have seen it with their unaided eyes.
机译：在小说《 2010年：奥德赛二号》中，亚瑟·克拉克（Arthur C. Clarke）展现了一种纯粹的崇高景象，显然是为了激发他的歌迷对电影续集的胃口，这是他与导演斯坦利·库布里克（Stanley Kubrick）1969年合作的结果。在太空飞船为将要降落在木星上做准备时，叙述者通过让我们透过他们的眼睛来表达急切机组人员的潜意识，敬畏之情：木星在地球天空中已经比月球大，内部巨大的卫星可以清楚地看到它绕着它移动。...他们表演的永恒芭蕾舞剧消失在木星后面，重新出现以伴随着阴影遮住日光的脸庞，这是无休止的景象。自伽利略（Galileo）大约四个世纪前首次瞥见它以来，这就是天文学家一直在观察的东西。但是列昂诺夫的船员是唯一用肉眼看到的人。

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