Meaningful measurement: a literature review and Australian and British case studies of arts organizations conducting âartistic self-assessmentâ

Jackie Baileya*  Lance Richardsona

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Meaningful measurement: a literature review and Australian and British case studies of arts organizations conducting âartistic self-assessmentâ

机译：有意义的衡量：文献综述以及对进行“艺术性自我评估”的艺术组织的澳大利亚和英国案例研究

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Funding bodies, donors and boards around the world increasingly require arts organizations to conduct performance measurement. This often extends to measuring an organization's artistic excellence, or, in Australian terms, âartistic vibrancyâ. In some countries, such as England and Australia, funding bodies require major arts organizations to âself-assessâ their own artistic excellence and vibrancy. But can such a thing really be measured? In 2009, the Australia Council for the Arts conducted research into the concept of measuring artistic vibrancy. As there had been little formal research in the area, the Australia Council conducted primary research into what might represent âgood practiceâ in artistic self-assessment amongst major performing arts organizations in Australia and the United Kingdom, in the art forms of opera, orchestral and chamber music, dance and theatre (including circus). The researchers' key finding was that there is no âone size fits allâ approach to assessing artistic vibrancy. Arts organizations will adopt a variety of methods that suit their unique environments, both across art forms and within them. However, in general, it was found that good practice in artistic self-assessment almost always involved: a frank culture of feedback, within the organization, and with audiences and external stake holders; a meaningful engagement with assessment as part of a performance improvement process, and a related aversion to âbox tickingâ; a genuine commitment to peer review; and acting on the outcomes of artistic self-assessment to improve future work. This article will examine the Australian policy context of the research, review the literature in relation to measuring âartistic vibrancyâ, and present key, good practice case studies of âartistic self-assessmentâ, including the Royal Opera House and Scottish Opera, United Kingdom, and Circus Oz, Australia. The article will conclude with an analysis of the findings from the case studies, and suggestions for further research and policy directions for other funding bodies grappling with the issue of how to measure artistic vibrancy.View full textDownload full textKeywordsartistic assessment, Australia, performing arts, BritainRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09548963.2010.515004

机译：世界各地的资助机构，捐赠者和董事会日益要求艺术组织进行绩效评估。这通常扩展到衡量组织的艺术成就，或者用澳大利亚的话来说，是“艺术活力”。在某些国家，例如英格兰和澳大利亚，资助机构要求主要的艺术组织“自我评估”自己的艺术才能和活力。但是这样的事情真的可以衡量吗？ 2009年，澳大利亚艺术理事会对衡量艺术活力的概念进行了研究。由于该地区几乎没有正式的研究，因此澳大利亚理事会对澳大利亚和英国主要表演艺术组织以艺术形式进行的艺术自我评估中可能代表“良好实践”的内容进行了初步研究。歌剧，管弦乐队和室内音乐，舞蹈和戏剧（包括马戏团）。研究人员的主要发现是，没有一种“一刀切”的方法来评估艺术活力。艺术组织将采用各种适合其独特环境的方法，无论是跨艺术形式还是内部形式。但是，总的来说，人们发现，艺术自我评估的良好实践几乎总是涉及到的：组织内部以及与受众和外部利益相关者的坦率反馈文化；作为绩效改进过程的一部分，与评估进行有意义的互动，以及对“盒子打勾”的相关厌恶；对同行评审的真诚承诺；并根据艺术自我评估的结果采取行动，以改善未来的工作。本文将研究该研究的澳大利亚政策背景，回顾与测量“艺术活力”有关的文献，并介绍“艺术自我评估”的关键，良好实践案例研究，包括皇家歌剧院英国众议院和苏格兰歌剧院以及澳大利亚的马戏团盎司。本文将对案例研究的结果进行分析，并为其他筹资机构应对如何衡量艺术活力的问题提供进一步研究和政策指导的建议。查看全文下载全文关键字艺术评估，澳大利亚，表演艺术， BritainRelated var addthis_config = {ui_cobrand：“泰勒和弗朗西斯在线”，servicescompact：“ citeulike，netvibes，twitter，technorati，delicious，linkedin，facebook，stumbleupon，digg，google，更多”，发布号：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/09548963.2010.515004

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《Cultural Trends》 |2010年第4期|p.291-306|共16页
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Jackie Baileya* Lance Richardsona;
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机译：点评：历史的研究：一个书目指南，历史的英语理念从柯勒律治到科林伍德，英国当地历史，亚瑟和他的英语变脸：亚瑟王传说中中世纪英国生活和文学，在英国文艺复兴时期颁布性别舞台上，莎士比亚的女性结局，写英文共和国：诗歌，修辞学和政治学1627年至1660年，对旧的新故事：在小说中，天主教和反天主教在早期现代英语文本，长子继承权和继承权在英国圣经模式：综述文学中的历史和代表，通过对小说恢复的英语内战：一个注释的参考书目，戴安娜，自我利益和英国国家身份，古人与现代人之间的古典罗马的痕迹和古典罗马：巴洛克文化在恢复英格兰，浪漫英格兰的Bacchus：1780-1830，厌恶经济学的作家和饮料：十八世纪的文学业务ritain，伪造的房子在十八世纪的英国，穿着我们的衣服，牛津伴侣的浪漫时代：英国文化，1776 - 1832，国内空间：阅读十九世纪的内部，维多利亚人理论上：从德里达到布朗，美德的年龄：英国文化从恢复到浪漫主义，悲惨的痛苦：维多利亚州的残疾和感情，妇女作家第一次世界大战：一个注释的书目，文学中的酒吧，英国工业小说，人类的缘故想要：市场苏格里希第德森市场的经济和美学。 C.，历史的研究：一个书目指南，第二版，曼彻斯特大学出版社，2000，第十四+ 140，£40.00.ParkerChristopher，历史的英语从理念到柯勒律治科林伍德，Ashgate出版社，2000，页。 VII + 244，£45.Richardsonr。 C.（ed。），英语当地历史的变化面孔，ashgate，2000，pp。viii + 218，£45.00.00.00.Parronw。 RJ（编辑），亚瑟和他的英文：亚瑟王传说中中世纪英国生活和文学，威尔士出版社，1999年大学，第398，£35.00.ComensoliViviana和RussellAnne（EDS），英国文艺复兴舞台上颁布性别，伊利诺伊大学出版社，1999，第270页，18.95英镑; SaunderseVe Rachel，在早期现代英格兰舞台上的雷切尔，性别和识字，剑桥大学出版社，1999，PP。260，£35.BerringPhilippa，莎士比亚的女性化的遗址，Routledge，1999，PP。197，£15.99 PB。 Bellilona，伊丽莎白裔女性和甲师诗歌，剑桥大学出版社，1998，PP。262，£35.00.norbrookdavid，写英国共和国：诗歌，修辞和政治1627-1660，剑桥大学出版社，1999，PP。XIII + 509 ，£40.FischHarold，对于旧的新故事：在小说，Macmillan出版社，1998年，第圣经模式X + 236，£42.50; Fischharold，Shakespeare，Milton和Blake的圣经存在，1999年，PP。Xi + 330，£45.marottiarthur F.（Ed。），天主教和早期现代英语文本，Macmillan，1999，PP的天主教和反天主教。XVII + 266，£47.50; Shellalison，天主教，争议和英国文学想象，1558-1660，剑桥大学出版社，1999，PP。XI + 309，£37.50.Jamoussizouheir，Punigoghts和Envland在英国：他们在文学中的历史和代表调查，中心出版大学，突尼斯，1999，PP。293,8 DT.Murphorn Xane C.，英语内战通过虚构的恢复：一个注释书目，格林伍德出版社，韦斯特波特，CT，CT。，2000，PP。VIII + 349，£63.95 .HammondPaul，德莱顿和古典罗马，克拉伦登出版社，牛津，1999年的痕迹，第305，£45.00.LevineJoseph M.，古人和现代人之间：巴洛克文化恢复英格兰，耶鲁大学出版社，1999，页。 XIV + 279，£27.50.50.50.5.50.Tayloranya，浪漫英格兰的Bacchus：作家和饮料，1780-1830，Macmillan，1999，PP。Xi + 264，£47.50.Mandelllaura，罕有内容：十八世纪英国的文学业务，肯塔基州大学，1999，PP。X + 228，$ 42.00.Bainespaul，在十八世纪的英国伪造之家，阿什捷，1999年，PP。第八次+ 195，£47.50.50.50.50.Munnsjessica和Richardspenny（EDS），穿着我们，纽瓦克，特拉华大学出版社，1999，PP。362，£ 37.McCalmanIain（编辑），牛津伴侣对浪漫的年龄：英国文化，1776年至1832年，牛津大学出版社，1999，页。 XII + 780，£85.Brydeninga和Floydjanet（EDS），国内空间：阅读十九世纪内部，曼彻斯特大学出版社，1999，PP。XII + 219，£40.00; KiddAlan和NichollsDavid（EDS），性别，公民文化和消费：在英国，1800年至1940年中产阶层的身份，曼彻斯特大学出版社，1999年，第十四+ 223，£46.00，PB。 14.99英镑的理论上，从Derrida到Browning，曼彻斯特大学出版社，1999年，PP。X + 180，£40.Moreedavid，富于浪漫主义，2000，2000，PP。八+ 330，£45.Klesmary，悲惨的痛苦：宾夕法尼亚大学的维多利亚州美国的残疾和感情，1999年，第211次，第一次第一次世界大战的妇女作家：一名注册参考书目，rutledge，2000，pp。230，75英镑; TyleeClaire与Turnerelaine和Cardinalagnes（EDS），战争扮演妇女：国际选集，Routledge，2000，PP。225，£16.99 PB.Taylorjohn A.，戴安娜，自身利益和英国国家身份，Praeger，2000，PP 。169，£44.95.EARNShawsteven，文学中的酒吧，曼彻斯特大学出版社，2000，PP。X + 294，£45和15.99英镑PB.Klaush。古斯塔夫和骑士。（EDS），英国工业小说，威尔士大学出版社，2000，PP。VIII + 212，£14.99 PB。 Balchjack S.，伊利诺伊大学高中中午的灯，2000年，PP。XL + 404，$ 19.45 PB。康罗伊士队，伊利诺伊大学的世界胜利，2000年，PP。XXXV + 348，17.95磅PB.Gagnierregenia，人类想要的缘故：市场学会的经济学和美学，芝加哥大学出版社，2000，PP。352，£ 10.50 PB。
8. ASCOT guidelines revised 1996 edition. Guidelines for organizational self-assessment of safety culture and for reviews by the assessment of safety culture in organizations team [R] . 1996

机译：asCOT指南修订了1996年版。安全文化组织自我评估指南和组织团队安全文化评估审查指南

Meaningful measurement: a literature review and Australian and British case studies of arts organizations conducting âartistic self-assessmentâ

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Meaningful measurement: a literature review and Australian and British case studies of arts organizations conducting âartistic self-assessmentâ