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首页> 外文期刊>Research on Humanities and Social Sciences >Semiotics in Tengger Mask Puppet Show on Bethara Kala’s Tale
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Semiotics in Tengger Mask Puppet Show on Bethara Kala’s Tale

机译：Bethara Kala的故事中的腾格面具木偶戏中的符号学

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摘要

Tengger puppet mask contains a lot of semiotics. Semiotics consists of icons, indexes and symbols. Icons consist of (1) typology icons, such as mountains, oxen, vegetable plants (2) diagrammatic icons, such as the Ruler of Sang Sang Hyang Pikulun Sas Sis, Sang Hyang Punggung, Sang Hyang Pongat, Sang Hyang Lesmana Dewa, Sang Hyang Manikmaya, (3) metaphorical icons, such as Sang Hyang Punggung’s sensing through the mediation of the jayengkaton story that the budama buddha is near Semeru Mountain. Index is a sign that indicates a natural relationship between signs and markers that are causal relationships, such as Sang Hyang Punggung’s sensing through mediation of jayengkaton stories. While symbols are signs that do not show any natural connection between markers and their markings and have broad meanings, such as white pigeon, Bethara Guru, Bethara Kala.
机译：腾格木偶面具包含许多符号符号。符号由图标，索引和符号组成。图标包括（1）类型图标，例如山脉，牛，蔬菜植物（2）图解图标，例如Sang Sang Hyang Pikulun Sas Sis，Sang Hyang Punggung，Sang Hyang Pongat，Sang Hyang Lesmana Dewa，Sang Hyang标尺Manikmaya，（3）隐喻的偶像，例如Sang Hyang Punggung通过在jayengkaton故事的调解中感知到的佛像是Semeru山附近。索引是一个标志，表示标志和标记之间的自然关系是因果关系，例如Sang Hyang Punggung通过调解jayengkaton故事所产生的感觉。符号是不显示标记与其标记之间任何自然联系并具有广泛含义的符号，例如白鸽，Bethara Guru，Bethara Kala。

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