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首页> 外文期刊>HTS Teologiese Studies/Theological Studies >Tekstualiteit van kinematografie: Filmhermeneutiek as publieke teologie
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Tekstualiteit van kinematografie: Filmhermeneutiek as publieke teologie

机译：摄影中的语篇：作为电影神学的Filmhermeneutiek

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Tendencies in film hermeneutics. Hollywood is synonymous with the tradition of images that are used to create emotion, to strengthen attachment, and to encourage imitation. In a certain sense these values are also encouraged by the church as institution. Scholars who study the connection between cinematography and theology acknowledge that the cinema has become the ‘principal new church' for post-secularised believers. Films are regarded among the ‘big books' of ‘postmodern culture'. In this article it is argued that film hermeneutics should be regarded as an epistemological movement which has departed from a typographical culture, including logocentrism, phonocentrism, and text-focused cognition. The movement is towards a visual culture, including audiovisual and virtual realities, and is contextualised in a cyber-community. Tendencies in films with biblical and religious dimensions and themes, including the way in which the Christ figure is portrayed, are discussed. In this article the value of film hermeneutics – that is, the ‘textuality of the screen' – as public theology, is also identified.
机译：电影诠释学的发展趋势。好莱坞是用于创造情感，增强依恋感和鼓励模仿的图像传统的代名词。从某种意义上说，这些价值观也受到教会作为制度的鼓励。研究电影学与神学之间联系的学者承认，电影已成为世俗化后信徒的“主要新教会”。电影被视为“后现代文化”的“大书”之一。本文认为，电影诠释学应被视为一种认识论运动，它已脱离印刷文化，包括徽标中心主义，语音中心主义和以文本为中心的认知。该运动旨在朝着视觉文化发展，包括视听和虚拟现实，并在网络社区中进行了情境化。讨论了具有圣经和宗教维度和主题的电影的趋势，包括描绘基督形象的方式。本文还确定了电影诠释学的价值，即“屏幕的文本性”，作为公共神学的价值。

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