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Postcards from Chile and Images from an Archive: Lighting the Nitrate of the 1973 Coup

机译:智利的明信片和档案图片:点燃1973年政变的硝烟

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This article examines a mass produced postcard image as a picture of conflict. It considers the postcard as a Benjaminian ‘prismatic fringe’ through which an archive can be viewed, wherein documents of the British trade in Chilean nitrate are juxtaposed with those of General Pinochet’s 1973 military coup. The archive itself is explored as a site of loss and its postcard, an unvarying idealisation, as a particularly problematic but powerful image that renders conflict out of sight.
机译:本文研究了批量生产的明信片图像作为冲突的图片。它认为明信片是本杰明的“棱柱条纹”,通过它可以查看档案,其中英式智利硝酸盐贸易的文件与皮诺切特将军1973年的军事政变并列。档案馆本身被视为一个遗失的地方,其明信片是一个不变的理想化,是一个特别有问题但功能强大的图像,使人们看不见冲突。

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