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Back to the future: interactivity and associational narrativity at the Bauhaus

机译：回到未来：包豪斯的互动性和协会叙事

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摘要

This paper contextualises the themes of interactivity and associational narrativity within a wider historical trajectory, by examining projects conducted at the Bauhaus during the 1920s. Bauhaus artists such as Laszlo Moholy-Nagy and Oskar Schlemmer developed models and theories for cinema, theatre and installation art, which sought to surrender authorial control and engage the audience as a creative force. As contemporary artists continue to debate how to transform interactivity into an aesthetically compelling rather than participatory activity, Bauhaus projects, with their focus on associational narratives and awareness of embodied cognition, offer inspiration for current practice.
机译：本文通过考察1920年代在包豪斯进行的项目，在更广泛的历史轨迹中将交互性和联想叙事的主题背景化。包豪斯（Laszlo Moholy-Nagy）和奥斯卡·施勒默（Oskar Schlemmer）等艺术家开发了用于电影，戏剧和装置艺术的模型和理论，力图放弃作者的控制权并吸引观众作为创造力。随着当代艺术家继续争论如何将互动性转变成一种美学上引人注目的而非参与性活动，包豪斯的项目以对交往叙事和对具体认知的认识为重点，为当前的实践提供了灵感。

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