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Tossed in Space

机译:扔在太空

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In 1969, when I was 14 years old, I rode the flight to the moon attraction at Disneyland (owned by the Walt Disney Company, which also owns this magazine). I was underwhelmed. Among other tepid effects, a pump sucked air out of the riders' seat cushions with an audible hiss-a ruse intended to simulate the inertial force that mashes astronauts back into their chairs during liftoff as their bodies resist the rocket's forward thrust. A deflating whoopee cushion, I surmised, didn't quite capture the drama of shooting into space. What it did was deflate the dream I had idly nursed of becoming an astronaut. If I could have experienced something remotely as thrilling as real spaceflight, I might have resolved to undergo the requisite grueling training. In those days, the option to sample a journey into space did not exist. Now, to a surprising extent, it does. The new Mission: Space ride at Walt Disney World, outside Orlando, Florida, is an ambitious $150-million-plus effort to bring interplanetary travel to the masses. Although the "mission" lasts just four minutes, it was created with the aid of NASA scientists and is remarkably uncompromising. "It took my breath away," says three-shuttle-mission astronaut Rhea Seddon, who rode it with her three children. "They were all asking me if the actual launch was like that. I said it was certainly realistic." Engineers were still tweaking the ride when I arrived for a preview in June at the Planetary Plaza, a courtyard dominated by large fiberglass models of Earth, the moon, and Mars (see photo at right). Inside the building, the ride itself, like all things Disney, is embedded in a story. The year is 2036, and groups of four riders make up "Mars teams" in training to fly to the Red Planet. "Welcome to the International Space Training Center," says actor Gary Sinise, playing the role of capsule communicator, who appears on a video screen. "Those made uncomfortable by enclosed dark spaces, spinning, or loud noises should bypass this experience," adds an actress playing the flight director.
机译:1969年,我14岁时,我乘飞机飞往迪斯尼乐园(由沃尔特·迪斯尼公司所有,迪斯尼乐园也拥有该杂志)的月球吸引力。我不知所措。在其他不温不火的效果中,泵以一种可听见的嘶嘶声将空气从骑乘者的座垫中吸出-旨在模拟惯性力,该惯性力在升空过程中将宇航员砸向座椅,因为他们的身体抵抗了火箭的向前推力。我猜想,放气的百日草垫子并没有完全捕捉到太空射击的戏剧性。它的所作所为使我一直懒惰的成为一名宇航员的梦想破灭了。如果我能像真实的太空飞行一样遥遥地经历过激动人心的事情,那么我可能已经下定决心接受必要的艰苦训练。在那些日子里,不存在采样太空之旅的选择。现在,确实如此。在佛罗里达州奥兰多郊外的沃尔特迪斯尼世界的新任务:太空骑行是一项耗资1.5亿美元的雄心勃勃的努力,旨在将星际旅行带给大众。尽管“任务”仅持续四分钟,但它是在NASA科学家的协助下创建的,并且毫不妥协。 “这让我屏息了,”三班车任务的宇航员Rhea Seddon和她的三个孩子一起骑行。 “他们都在问我实际的发射是不是这样。我说那肯定是现实的。”当我6月份到达星球广场(Planetary Plaza)进行预览时,工程师们仍在调整行程,这是一个由地球,月球和火星等大型玻璃纤维模型主导的庭院(请参见右图)。在建筑物内部,游乐设施本身就像迪斯尼的所有物品一样,都嵌入了故事中。这一年是2036年,由四名骑手组成的小组组成了“火星团队”,接受飞行训练,飞往红色星球。 “欢迎来到国际太空训练中心,”演员加里·辛尼斯(Gary Sinise)扮演胶囊通讯员的角色,他出现在视频屏幕上。一位饰演飞行导演的女演员补充说:“那些被封闭的黑暗空间,旋转或大声的声音所困扰的人应该绕过这种经历。”

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