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Bello: The literature of fear

机译:贝洛:恐惧的文学

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FOR a writer, he was a man of extraordinarily few words. Juan Rulfo produced only one short novel, "Pedro Paramo", and a collection of short stories, "El Llano en Llamas" (translated as "The Burning Plain"). Together they comprise fewer than 300 pages. And that, apart from a couple of fragments and a few film scripts, was it. Yet not only does Rulfo enjoy a towering reputation in Spanish-language letters. In addition, as has become clear during the commemorations this year marking the centenary of his birth, his work has at least as much relevance for many young Latin American writers as that of successors such as Gabriel Garcia Marquez or Mario Vargas Llosa, who are far better known to English-speaking readers.
机译:对于一个作家来说,他是个很少说话的人。胡安·罗福(Juan Rulfo)仅创作了一部短篇小说《佩德罗·帕拉莫(Pedro Paramo)》,以及一部短篇小说集《 El Llano en Llamas》(译为《燃烧的平原》)。它们在一起总共不到300页。而且,除了几个片段和一些电影剧本以外,就是这样。但是Rulfo不仅在西班牙语字母中享有很高的声誉。此外,正如今年纪念他诞辰一百周年的纪念活动所表明的那样,他的作品对许多年轻的拉丁美洲作家的意义至少与加布里埃尔·加西亚·马克斯(Gabriel Garcia Marquez)或马里奥·瓦尔加斯·卢萨(Mario Vargas Llosa)等继任者一样重要。以英语为母语的读者更加了解。

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    《The economist》 |2017年第9071期|36-36|共1页
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