• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>The economist >Bewitching India
【24h】

Bewitching India

机译：迷人的印度

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

THE media complained that Sridevi was such an enigma, so intensely reserved. She couldn't deny it. She felt uncomfortable talking to reporters, and for years avoided promotions and parties for her films. When she left her make-up van for a shoot, an assistant holding her pallu out of the dust, her bouncers would shout: "No pictures when she walks!", and so the lens-men would wait, in a tizzy, for the moment when she would pause and turn her perfect face to them. But still she preferred not to talk. In her heyday in the 1980s and early 1990s all questions about her plans, her sex appeal or her love interests were deflected with a coy "Ask Mummy". For Mummy, in the traditional way, handled all her property and tax affairs, including the negotiations with besotted producers over how many lakh of rupees she would get for every film. At her first screen-call, at the age of four, she hid in her mother's sari out of shyness. She seemed to go on hiding there for much of her career.
机译：媒体抱怨说，斯里德维（Sridevi）真是个谜，是如此强烈的保留。她不能否认。与记者交谈使她感到不自在，多年来，她一直避免为自己的电影进行促销和聚会。当她离开化妆车拍摄时，助手将她的pallu挡在尘土中，她的保镖大喊：“她走路时没有照片！”，所以镜头工人会在头昏眼花的等待着。她会停下来，将完美的脸庞转向他们的那一刻。但她仍然不说话。在1980年代和1990年代初期的鼎盛时期，所有关于她的计划，性诉求或爱情爱好的疑问都被a“问妈妈”（Ask Mummy）偏转了。对于木乃伊而言，她以传统的方式处理了她所有的财产和税收事务，包括与下流的制片人就每部电影将获得多少卢比的谈判。在四岁的第一次电话采访中，她躲避了妈妈的纱丽。在她的大部分职业生涯中，她似乎都继续躲在那里。

著录项

  • 来源
    《The economist》 |2018年第9082期|90-90|共1页
  • 作者

  • 作者单位
  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号