首页> 外文期刊>The economist >Hue were they?
【24h】

Hue were they?

机译:他们是色相吗?

获取原文
获取原文并翻译 | 示例
           

摘要

Many of the best-known artists of the Renaissance (Peter Paul Rubens, Al-brecht Durer and Jacopo da Pontormo among them) made portraits of Africans. But who were the men, women and children they portrayed? For centuries these sitters were largely unknownuntil a decade ago, when Joaneath Spicer, curator of Renaissance and Baroque art at the Walters Art Museum in Baltimore, determined to discover more. Even if she failed to put a name to each individual, she hoped to find out more about their lives and where they came from. Her perseverance has paid off. "Revealing the African Presence in Renaissance Europe", which originated at the Walters and is now at the Princeton University Art Museum until June 9th, is an illuminating and exciting show.
机译:许多文艺复兴时期最著名的艺术家(彼得·保罗·鲁本斯,阿尔·布雷希特·杜勒和雅各布·达·蓬托尔莫)都拍摄了非洲人的肖像。但是他们描绘的男人,女人和孩子是谁?几个世纪以来,这些保姆在很大程度上是未知的,直到十年前,巴尔的摩沃尔特斯美术馆的文艺复兴和巴洛克艺术策展人乔纳斯·斯派塞(Joaneath Spicer)决心发掘更多东西。即使她没有给每个人起个名字,她也希望找到更多关于他们的生活和他们来自哪里的信息。她的毅力得到了回报。始于沃尔特(Walters)的“揭示非洲在欧洲文艺复兴时期的存在”,现已在普林斯顿大学美术馆展出,直到6月9日,都是一个充满启发性和令人兴奋的展览。

著录项

  • 来源
    《The economist》 |2013年第8824期|78-78|共1页
  • 作者

  • 作者单位
  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号