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The war generation

机译:战争一代

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German television viewers are used to frequent programmes exploring the Nazi era and the second world war. But rarely has such a programme triggered as much debate and interest as the screening in mid-March of a three-part drama, "Unsere Muetter, unsere Vaeter" (Our Mothers, Our Fathers), which tracks the lives of five young German friends from 1941 to 1945.The fictional drama, based on scrupulous research, had on average 7.6m viewers per night. Suddenly the few survivors of Germany's wartime generation are being sought out as never before by talk shows and newspapers. Grandfathers and grandmothers, who for years kept silent, or were never asked, are facing questions about how it could happen, what it was like and whether they saw atrocities. Some more painful questions about who committed what atrocity are resurfacing, too.
机译:德国电视观众习惯于频繁地观看纳粹时代和第二次世界大战的节目。但是,这种节目很少像3月中旬放映一部三集戏剧《 Unsere Muetter,unsere Vaeter》(《我们的母亲,我们的父亲》)(该影片追踪五个德国年轻朋友的生活)那样引发辩论和兴趣。从1941年到1945年,这部虚构的戏剧根据严格的研究,平均每晚有760万观众。突然间,脱口秀和报纸正以前所未有的速度寻找德国战时一代的少数幸存者。多年来一直保持沉默或从未被问到过的祖父和祖母正面临着关于它如何发生,它是什么样子以及他们是否看到暴行的问题。关于谁犯下了暴行的一些更痛苦的问题也正在浮出水面。

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    《The economist》 |2013年第8829期|46-46|共1页
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