Makoto aida's first retrospective is 250 metres above ground in the Mori Art Museum, on top of one of Tokyo's swankiest skyscrapers. But there is nothing rarefied about the collection itself. Part of its charm is that it appears to have poured out of what the artist calls his "skewed" mind in a cascade of impish disorder. There are doe-eyed girls in various states of undress, smiling and languishing-ly carefree. It takes a moment to realise that the one winking mischievously in "Hara-kiri School Girls" is disembowelling herself with a samurai sword. Or that the frolicking nudes in his latest (unfinished) work-spread over a large wall-are being blown to bits by a gun, their insides spilling out in a puff of flowers, strawberries and diamonds.
展开▼
机译：真田诚诚的首次回顾展是在森美术馆（Mori Art Museum）内离地面250米的地方，位于东京最时髦的摩天大楼之一的顶部。但是藏品本身并不稀有。它的部分魅力在于，它似乎在艺术家级的恶性混乱中倾泻出了艺术家所谓的“歪斜”思想。在各种状态的脱衣，微笑和无聊的无忧无虑中，有do着眼睛的女孩。花了片刻的时间才意识到，在《 Hara-kiri School Girls》中调皮地眨着眼睛的那个正在用武士刀使自己失望。或者说，他最新的（未完成的）裸露在大墙上的裸体作品被枪炮炸成碎片，里面溅满了鲜花，草莓和钻石。
展开▼
