People who knew Anthony Blunt remember his wit, his courtesy and his great appetite for enjoyment. Students and fellow scholars recall his exhilarating lec-tures on baroque art, and his promotion of art history as a serious discipline in Britain from his base at London's Courtauld Institute. Admirers of Poussin and Borromini, the painter and the architect he loved most, will know his revelatory work on these great 17th-century practitioners.
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