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THE MYTH OF THE FEMALE DANDY

机译：女怪人的神话

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摘要

Much discussion of dandyism in nineteenth-century France has focused on the relationship between this concept and an implicitly monolithic model of masculine identity initially associated with Beau Brummell. This article questions this tendency in two ways. First, it argues that male dandyism was more historically and linguistically context-dependent than has typically been acknowledged. The shifting semantics of dandyism become evident once canonical representations are reintegrated into the non-literary genres and discourses from which they emerged, including journalism, the Parisian literary physiology, and contemporaneous writing on temperament and psychology. The typologies, terms and concepts which circulated within these amorphous discourses frequently shaped contemporaneous readers' responses to literary texts. Second, the article seeks to outline a body of neglected discourse about female dandies and related types such as the lionne, focusing on texts by Barbey d'Aurevilly produced during the 1840s. These problematic figures, it proposes, illustrate the intense ambivalence generated by the concept of female exception in mid-nineteenth-century France, a cultural context in which female anomaly was viewed at once as a logical impossibility, a pathology, and an instance of moral monstrosity or sin.
机译：在19世纪的法国，关于丹迪主义的许多讨论都集中在这一概念与最初与博·布鲁梅尔相关的男性身份隐式整体模型之间的关系上。本文以两种方式质疑这种趋势。首先，它认为男性丹迪主义在历史和语言上比以往更多地依赖于上下文。一旦规范化的表述重新融入非文学体裁和话语中，包括新闻学，巴黎文学生理学以及同时期的气质和心理学写作，就可以使编舞的语义发生变化。这些无定形的话语中流传的类型，术语和概念经常影响当代读者对文学文本的反应。其次，本文旨在概述有关女性花花公子和相关类型（例如利昂）的被忽略的话语，重点是1840年代Barbey d'Aurevilly创作的文字。它提出，这些有问题的人物说明了在十九世纪中叶的法国，女性例外的概念产生了强烈的矛盾情绪，在这种文化背景下，女性异常被立即视为逻辑上的不可能，病理学和道德的实例。怪物或罪恶。

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  • 来源
    《French Studies》 |2007年第2期|167-181|共15页
  • 作者

    Miranda Gill;

  • 作者单位

    Jesus College Cambridge;

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  • 正文语种 eng
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