...
  • 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>The International Journal of the History of Sport >Projection of Male Fantasies: The Creation of ‘Scientific’ Female Gymnastics
【24h】

Projection of Male Fantasies: The Creation of ‘Scientific’ Female Gymnastics

机译：男性幻想的投射：“科学”女性体操的创造

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

About 100 years ago, in 1909, the Danish medical doctor Johannes Lindhard (1870-1947) became associate professor, and in 1917 professor, of the theory of gymnastics at the University of Copenhagen. Lindhard's collaboration with the physiologist and 1920 Nobel Prize winner August Krogh (1874-1949) laid the foundation for the birth of exercise physiology in Scandinavia. In addition to his basic-level studies of physiology, Lindhard also became deeply involved in developing a theory of gymnastics that would bring a wide range of Danish gymnastics traditions onto a surer theoretical footing. Lindhard's importance in the history of gymnastics is mainly attributable to the fact that he had a huge influence in the ‘gendering’ of the behavioural codes of conduct and the formulation of a gender-specific movement programme aimed at the socialisation of boys and girls as well as men and women in accordance with the new gender roles of the emerging capitalist society with its strict division of education and labour between the two sexes. Lindhard clearly supported ‘difference-feminism’ in contrast to ‘resemblance-feminism’. These two concepts of femininity clashed in a fierce struggle in the inter-war period. Advocates of women's athletics interpreted competitive sports as perfect tools for women's conquest of male territory, whereas supporters of female gymnastics considered athletics to be an antidote to the health-promoting and graceful essence of femininity. Agnete Bertram was one of Lindhard's first students at the Laboratory for the Physiology of Gymnastics and in the 1920 she created a new graceful women's gymnastics system based on Lindhard's principles. Besides taking its inspiration from Lindhard's notions of psycho-aesthetics, Bertram's system was immersed in ancient Greek influences and was sometimes performed in Greek robes in the neo-classic building of the Carlsberg foundation to the accompaniment of classical music such as Mozart's sonata in A-major. This was well suited to the bourgeois women in their roles as aesthetic domestic angels.View full textDownload full textKeywordsgender, politics, national identityRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/09523367.2012.641216
机译：大约100年前，在1909年，丹麦医学博士约翰内斯·林哈德（Johannes Lindhard，1870-1947年）成为哥本哈根大学体操理论的副教授，并在1917年担任教授。 Lindhard与生理学家以及1920年诺贝尔奖获得者August Krogh（1874-1949）的合作为斯堪的那维亚的运动生理学的诞生奠定了基础。除了对生理学进行基础研究之外，林德哈德还深深地参与了体操理论的开发，该理论将把广泛的丹麦体操传统带入更加坚实的理论基础。 Lindhard在体操史上的重要性主要归因于以下事实：他在行为行为守则的“性别划分”中起着巨大的作用，并制定了针对男孩和男孩社交的针对性别的运动计划按照新兴资本主义社会在性别和性别上的严格分工，按照新的性别角色，使女孩和男人和女人。与“相似女权主义”相反，林德哈德明确支持“差异女权主义”。这两个女性主义概念在两次世界大战期间的激烈斗争中发生了冲突。女子田径运动的拥护者认为，竞技体育是女性征服男性领土的完美工具，而女子体操运动的支持者则认为田径运动是促进健康和女性化优雅本质的解毒剂。 Agnete Bertram是Lindhard体操生理学实验室的第一批学生之一，在1920年，她根据Lindhard的原理创建了新的优美的女子体操系统。除了从Lindhard的心理美学概念中汲取灵感之外，Bertram的系统还沉浸在古希腊的影响下，有时在卡尔斯伯格基金会新古典主义建筑的希腊长袍中进行演奏，并伴以莫扎特奏鸣曲（例如A-重大的。这很适合资产阶级妇女作为审美家政天使的角色。查看全文下载全文关键字性别，政治，民族身份Delicious，linkedin，facebook，stumbleupon，digg，google，更多”，发布号：“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/09523367.2012.641216

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号