• 主题
高级搜索  >
历史搜索 清空历史
首页> 外文期刊>International journal of signs and semiotic systems >Hyperliterature and Intermediality in the Expansion of Literary Production
【24h】

Hyperliterature and Intermediality in the Expansion of Literary Production

机译：文学生产扩张中的超文学与中间性

获取原文
获取原文并翻译 | 示例
           
页面导航
  • 摘要
  • 著录项
  • 相似文献
  • 相关主题

摘要

The so-called ‘Information Revolution,' which begun in the 1990s and generated a global system of expansion of the virtual space, imposed reconfigurations on artistic expressions. In regard to literature, one sees not only the transposition of consecrated genres and textual forms into digital media, but also the creation of a specifically digital literature, one that is often marked by intermediality. The present article aims at approaching concepts such as ‘hypertext' and ‘hyper-writing', and the phenomena linked to digital textualities as ‘hyperfiction', ‘hyperpoetry', ‘holopoetry' and ‘hyperdrama', among others; besides, it also raises the question: to what extent does hyperliterature interfere with the status of “conventional literature” written and read in paper?
机译：所谓的“信息革命”始于1990年代，产生了虚拟空间扩展的全球系统，对艺术表现形式进行了重新配置。关于文学，人们不仅看到奉献的体裁和文本形式向数字媒体的转换，而且还看到了专门数字化的文学的创作，这种文学通常以中间性为特征。本文旨在探讨“超文本”和“超写作”等概念，以及与数字文本相关的现象，例如“超小说”，“超诗歌”，“全息”和“超戏剧”。此外，它还提出了一个问题：超文学在多大程度上干扰了书面和阅读的“传统文学”的地位？

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱：kefu@zhangqiaokeyan.com

京公网安备：11010802029741号 ICP备案号：京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有

  • 客服微信

  • 服务号