2001: AN ODYSSEY REVISITED, KUBRICK'S MASTERPIECE IN THE CONTEXT OF THE 1960s

Sean Patrick Taylor

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2001: AN ODYSSEY REVISITED, KUBRICK'S MASTERPIECE IN THE CONTEXT OF THE 1960s

机译：2001年：奥德赛重新审视，克拜克在20世纪60年代的背景下的杰作

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Stanley Kubrick's film, 2001: A Space Odyssey1 stands as a singular work of science fiction, having now influenced generations of filmmakers, intellectuals and explorers. For those engaged in space activities at any level, the questions raised in the film are even more relevant as we progress into new phases of both military activity in space and commercial spaceflight. The film was a turning point in cinema that put science fiction on a level of high art by fusing classical music with realistic technical designs, creating an immersive elegance for the journey into the unknown. Released in the spring of 1968, it was the first serious film interpretation of a future in space which offered enough of a cultural anchor to create a genuine sense of realism. In addition to the groundbreaking aesthetics, its subtle examination of the origin and trajectory of our species, particularly the question of whether or not we are alone in the universe, captivates us today as it has for millennia. While the plot spans millions of years, the film itself is very much a product of its era, capturing both extremes of humanity-scientific achievement and creative expression, as well as our primal urges toward hostility and aggression.

机译：Stanley Kubrick的电影，2001年：一个太空Odyssey1被视为科幻小说的奇异工作，现在影响了几代电影制作人，知识分子和探险家。对于那些在任何级别进行太空活动的人来说，电影中提出的问题更加相关，因为我们进入空间和商业航天飞行中的军事活动的新阶段。这部电影是电影院的转折点，通过融合具有现实技术设计的古典音乐，将科幻小说放在一级高艺术中，为未知之旅创造了沉浸式优雅。 1968年春季发布，这是第一个严重的影片解释未来的空间，提供足够的文化锚，以创造真正的现实感。除了突破性的美学外，它对我们物种的起源和轨迹进行了微妙的检查，特别是我们在宇宙中独自一人的问题，今天占据了我们的千年。虽然情节跨越数百万年，但电影本身非常重要，这是其时代的产物，捕获了人类科学成就和创造性的表达的极端，以及我们对敌对和侵略的原始冲动。

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《Journal of space law》 |2020年第1期|345-351|共7页
作者
Sean Patrick Taylor;
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S.I. Newhouse School of Public Communications at Syracuse University;

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1. 2001: A Space Odyssey, directed by Stanley Kubrick (1968), screenplay by Stanley Kubrick and Arthur C. Clarke, 141 minutes, USA: Metro-Goldwyn Mayer [J] . Shara D. Knight International journal of Jungian studies . 2018,第3期

机译：2001年：一个空间奥德赛，由Stanley Kubrick（1968），斯坦利Kubrick和Arthur C. Clarke的剧本，141分钟：Metro-Goldwyn Mayer
2. 2001: A Space Odyssey, directed by Stanley Kubrick (1968), screenplay by Stanley Kubrick and Arthur C. Clarke, 141 minutes, USA: Metro-Goldwyn Mayer [J] . Shara D. Knight International journal of Jungian studies . 2018,第3期

机译：2001年：一个空间奥德赛，由Stanley Kubrick（1968），斯坦利Kubrick和Arthur C. Clarke的剧本，141分钟：Metro-Goldwyn Mayer
3. Stanley Kubrick's 2001 - A Space Odyssey [J] . Dion Hanson Cinema Technology . 2001,第3期

机译：斯坦利·库布里克（Stanley Kubrick）的《 2001-太空漫游》
4. Representation of Cybernetics and Network Projects in the Soviet Society During the 1960s–1970s: The Socio-Political Context of Information Technologies [C] . Svetlana Ulyanova, Natalia Nikiforova, Ilya Sidorchuk International Conference on Computer Technology in Russia and in the Former Soviet Union . 2017

机译：1960年代至1970年代苏联社会中控制论和网络项目的代表：信息技术的社会政治环境
5. Alien encounters and the alien/human dichotomy in Stanley Kubrick's "2001: A Space Odyssey" and Andrei Tarkovsky's "Solaris". [D] . Cavedo, Keith. 2010

机译：斯坦利·库布里克（Stanley Kubrick）的《 2001：太空漫游》和安德烈·塔科夫斯基（Andrei Tarkovsky）的《 Solaris》中，外星人与人类/人类的二分法相遇。
6. 2001: a mouse genome odyssey [O] . David R Beier, Bruce J Herron 2002

机译：2001：小鼠基因组奥德赛
7. What was HAL? IBM, Jewishness and Stanley Kubrick’s 2001: A Space Odyssey (1968) [O] . Nathan Abrams 2017

机译：什么是hal？ IBM，犹太人和斯坦利Kubrick的2001年：一个太空奥德赛（1968年）

2001: AN ODYSSEY REVISITED, KUBRICK'S MASTERPIECE IN THE CONTEXT OF THE 1960s

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