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首页> 外文期刊>Journal of tourism and cultural change >'Children's Dreamland': constructing national identity through a children's festival in post-authoritarian Taiwan
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'Children's Dreamland': constructing national identity through a children's festival in post-authoritarian Taiwan

机译：“儿童的理想国”：通过后独裁的台湾儿童节来建立民族身份

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摘要

Images of children have been prominent symbols in Taiwan's public culture since the island embarked on a nation-making process in the 1990s. Through a case study of the Yilan International Children's Folklore and Folkgames Festival (YICFFF), the first Taiwanese festival dedicated to children, this paper presents how the planning process and program designs of this newly created festival are connected to a reconceptualization of children and childhood amid national identity transformation in the post-authoritarian era. I argue that the implementation of the well-received Festival reflected the structure of feeling of the 1990s Taiwan, when there emerged an increasingly popular quest for transcending the society's divided historical memory through pursuit of a vibrant and globally recognizable nationhood. The Festival provides a critical site wherein visions concerning desired national future are articulated in the programming for its intended children's audience. Attending the Festival and its peripheral activities, furthermore, generates a new communal experience for the nation-in-becoming.
机译：自1990年代台湾开始进行民族创建以来，儿童的图像就成为台湾公共文化中的重要标志。通过对宜兰国际儿童民间文学艺术节（YICFFF）的个案研究，这是台湾首个专门针对儿童的节日，本文介绍了这个新创建的节日的规划过程和方案设计如何与儿童和童年时代的重新概念化联系在一起后威权时代的国家身份转变。我认为，广受赞誉的节日的实施反映了1990年代台湾的感觉结构，当时人们寻求通过建立一个充满活力和全球知名的国家来超越社会分裂的历史记忆的日益流行的追求。电影节提供了一个至关重要的场所，在节目中，针对其预期的孩子们的观众表达了有关理想国家未来的愿景。此外，参加音乐节及其周边活动，将为新兴国家带来新的社区体验。

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