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首页> 外文期刊>JSAH: Journal of the Society of Architectural Historians >Architecture and Urbanism in the French Atlantic Empire: State, Church, and Society, 1604-1830
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Architecture and Urbanism in the French Atlantic Empire: State, Church, and Society, 1604-1830

机译：法国大西洋帝国建筑与城市主义：国家，教堂和社会，1604-1830

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My reading of Gauvin Alexander Bailey's hefty and beautifully illustrated tome on French colonial architecture was interrupted by my participation in a conference in one of France's former colonial capitals, Saint-Louis, Senegal. Given that the tide of the conference was Colonial Cities in Global Perspective, I expected to see some synergy with Bailey's book, but I also assumed there would be little obvious overlap.1 Only a couple of the papers delivered at the conference touched on architecture, and none with the range or depth of Bailey's discussions of ideology, buildings, and labor. However, I was struck by the ways that the physical landscape of Saint-Louis evoked the critical gaps that Bailey describes between French ideals, imagination, and reality. While the history of Saint-Louis continues to be touted for the sake of tourism and research, the city is also a resolutely Senegalese one where colonial architectural forms can be obscured by the practices of everyday life. One of Bailey's main goals is to trace the disjuncture between French attempts to glorify state and church through architecture on one hand and the violent realities of colonialism on the other. His first couple of chapters outline French ideologies about urbanism and architecture. Chapters 3-7 then examine the history of builders, contractors, and artisans, including Amerindians, Africans, and enslaved and free people of color, as well as French civilian and royal architects. Chapters 8-11 focus on urbanism and planned cities, In the final section of the book (chapters 12-16), Bailey looks closely at changing secular and ecclesiastical architecture in the French colonial context, including the development of vernacular styles such as the open gallery or veranda that assumed particular cultural meaning and significance in France's Atlantic empire. On several occasions during the conference in Senegal, certain buildings in the city immediately reminded me and other conference participants of buildings in New Orleans. Bailey puts into deeper perspective what is often merely a casual association.
机译：我对Gauvin Alexander Bailey的Hefty和Sequently所示的Tome在法国殖民地建筑上被我参与在法国前殖民首都Saint-Louis，Senegal的一个会议上打断了。鉴于会议的潮流是全球视角的殖民城市，我希望看到与贝利书的一些协同作用，但我也认为会有很明显的重叠.1只有几个在会议上交付的文件触及了建筑，没有贝利讨论思想，建筑和劳动力的范围或深度。然而，我被圣路易斯身体景观唤起了Bailey在法国理想，想象力和现实之间描述的关键间隙的方式震惊。虽然Saint-Louis的历史继续被吹捧为旅游和研究，但该市也是一个坚定的塞内加尔人，殖民建筑形式可以被日常生活的做法掩盖。 Bailey的主要目标之一是追查法国企图在一方面通过建筑荣耀州和教会之间的贬值，另一方面，殖民主义的暴力现实。他的第一章章节概述了法国关于城市和建筑的意识形态。 3-7章节然后审视建筑商，承包商和工匠的历史，包括美洲印第安人，非洲人和奴役和奴役和自由的颜色，以及法国民用和皇家建筑师。第8-11章关注城市主义和计划城市，在本书的最后一部分（第12-16章）中，贝利在法国殖民环境中更改世俗和教会架构，包括开发诸如开放式的白话风格的开发在法国大西洋帝国假设特殊的文化意义和意义的画廊或阳台。在塞内加尔会议期间，该市的某些建筑立即提醒我和新奥尔良建筑物的其他会议参与者。 Bailey进入更深层次的观点，这是一个往往是休闲协会的东西。

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