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首页> 外文期刊>Michigan Academician >A Forgotten 'Dialogue': A Case of Intertextuality in Galdos's Marianela and Valera's Las ilusiones del doctor Faustino
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A Forgotten 'Dialogue': A Case of Intertextuality in Galdos's Marianela and Valera's Las ilusiones del doctor Faustino

机译：被遗忘的“对话”：加尔多斯的《玛丽亚妮拉》和瓦莱拉的费斯托诺医生的错觉中的互文性

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摘要

Of all the Spanish authors considered as belonging to the "Generation of 1868," Juan Valera is one of the most difficult to classify. His prose is not as costumbristic and romantic as those of Alarcon and Pereda; nor does it paint as realistic a portrait of society as the works of Alas, Galdos and Pardo Bazan. Instead, Valera adapted elements of these movements into a classical aesthetic, the result being something of an idealist vision of society―especially provincial Andalusian society―in which the images and situations depicted were not unfaithful to reality, yet the banal and unattractive aspects which make up a part of any society were not given much attention. However, if Valera did not pertain to any particular literary movement, he still had a profound influence on the movement of Spanish literature in its evolution toward modernity, or what Thomas Franz calls "the evolution of the Spanish narrative in the late nineteenth century" (5). It is precisely this evolution which Franz discusses in his book, Valera in Dialogue/In Dialogue with Valera, from the viewpoint that because Valera wrote in the style he did, his contemporaries produced texts which often parodied the Andalusian's work.
机译：在所有被认为属于“ 1868年一代”的西班牙作家中，胡安·瓦莱拉（Juan Valera）是最难归类的作家之一。他的散文不像阿拉尔孔和佩雷达那样具有纪念意义和浪漫色彩。它也没有像阿拉斯，加尔多斯和帕多·巴赞的作品那样描绘出现实的社会肖像。取而代之的是，瓦莱拉（Valera）将这些运动的元素调整为古典美学，其结果是某种社会的唯心主义视野，尤其是安达卢西亚省的社会，在这种视野中，所描绘的图像和情况并非不忠实于现实，但平庸而又缺乏吸引力的方面没有受到任何社会的关注。但是，如果瓦莱拉（Valera）不属于任何特定的文学运动，那么他对西班牙文学向现代性的演进或托马斯·弗朗兹（Thomas Franz）所说的“十九世纪末西班牙叙事的演变”仍然具有深远的影响（ 5）。正是弗朗兹在他的著作《瓦莱拉对话》 /《与瓦莱拉对话》中讨论的正是这种演变，因为瓦莱拉以他的创作风格写作，因此他的同时代人创作的文本常常嘲讽安达卢西亚人的作品。

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