Artists in the lab

Martin Kemp

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Artists in the lab

机译：实验室中的艺术家

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Caged canaries were placed in coal mines to warn of poisonous gases in the twentieth century. Programmes to insert artists into laboratories proliferated in the 1990s, just as the canaries had been phased out. Do these 'artists-in-residence' act as metaphorical canaries, detecting practices that are potentially noxious? Or are they cuddly creators, obedient poodles who translate scientists' work into publicly accessible forms?

机译：笼中的金丝雀被放置在煤矿中，以警告二十世纪的有毒气体。正如金丝雀已被淘汰一样，在1990年代激增了将艺术家引入实验室的程序。这些“常驻艺术家”是否充当隐喻金丝雀，发现可能有害的行为？还是他们是可爱的创造者，听话的贵宾犬，将科学家的工作转化为可公开使用的形式？

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来源
《Nature》 |2011年第7364期|p.278-279|共2页
作者
Martin Kemp;
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作者单位

University of Oxford, UK;

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收录信息美国《科学引文索引》(SCI);美国《工程索引》(EI);美国《生物学医学文摘》(MEDLINE);美国《化学文摘》(CA);
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正文语种 eng
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7. How might the experiences and perspectives of community participants collaborating in socially engaged art practices be heard, considered and equally valued alongside those of the artist and gallery? What ethical implications for the artist and the gallery arise when community participants’ experiences are considered in this way? [O] . Plumb, Sarah Jane 2017

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Artists in the lab

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