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Exposing Montaigne

机译:暴露蒙田

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摘要

From the beginning of his Essays, Montaigne explicitly offers himself, naked if it were permissible, as their subject; the text is his corpus, its 'matire.' Other selections recall the preface as he depicts the birth of his composition and the desire for his thoughts to extend into his writing; later, he claims a text which is consubstantial with its author. The present analysis essays this embodiment, as it examines metaphor, language, citation and anecdote in 'De la ressemblance des enfans aux peres' and 'De l'exprience.' In these chapters, he focuses on his habits and hygiene, depicting the ever-changing physical differences over time. His readers can thus appraise how the essayist imparts his imperfections, functions and maladies to create, piece by piece, a memorial self which stands exposed as an example capable of contesting narrative disembodiment.
机译:从他的散文开始,蒙田就明确地提出自己(如果允许的话)作为自己的主题。文字是他的语料库,即“ matire”。其他选集使他回想起序言,因为他描绘了他的创作的诞生以及他的思想延伸到他的写作中的渴望。后来,他要求提供与其作者相当的文本。本分析对本实施例进行了论述,因为它研究了“ De Descemblance des enfans aux peres”和“ De lexprience”中的隐喻,语言,引文和轶事。在这些章节中,他着重于自己的习惯和卫生习惯,描绘了随时间变化的身体差异。因此,他的读者可以评估这位散文家如何赋予他的缺陷,功能和弊端,以逐步地创建一个纪念性自我,作为纪念能够对抗叙事方式的一个例子,纪念性自我被暴露出来。

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