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Colouring in the 'black- box': Alternative renderings of scientific visualisations in two comic book cosmologies

机译：“黑匣子”中的着色：两种漫画宇宙学中科学可视化的替代渲染

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Two somewhat contrasting views of public uses of scientific visualisations argue that they are "black-boxed" with meaning given by the scientific community or they are "polysemic" with meaning given by the context of presentation. This paper argues that whether they are treated as black-boxed or not and in what manner this is done is itself part of the meaning given by context. Thus, "black-boxing" is done not only by scientists but also by members of the public. The argument is illustrated by reference to two recent comic books, Dave Sim's Cerebus and Alan Moore's Promethea, in which the authors present cosmological visions of the universe using scientific visualisations to create a sense of realism. From analysis of their use of images of planet Earth and the human foetus it is argued that, although the images are black-boxed, the authors re-work them aesthetically to suit their specific moral and cosmological views.
机译：关于科学可视化的公共用途的两种截然相反的观点认为，它们被科学界赋予的意义是“黑盒装”的，或者它们是表现形式所赋予的意义的“多义性”。本文认为，是否将其视为黑盒，以及以何种方式进行处理，这本身就是上下文给出的含义的一部分。因此，“黑匣子”不仅由科学家而且由公众来完成。通过参考最近的两本漫画书，即戴夫·西姆的《塞雷布斯》和艾伦·摩尔的《普罗米修斯》来说明这一论点，在其中，作者用科学的可视化方法呈现了宇宙的宇宙观，以创造一种真实感。通过分析他们对地球和人类胎儿的图像的使用，有人认为，尽管图像是黑盒包装的，但作者还是对其进行了美学上的重新设计，以适应其特定的道德和宇宙观。

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