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The Cambridge Companion to Film Music

机译：剑桥电影音乐伴侣

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摘要

This book is at heart, a collection of essays, from numerous scholars and creative talents, which is concerned with reviewing the broad functions music plays within cinema. The editors' intentions are to provide readers with an overview of cinematic scores, from the intellectual and creative labour expended in their creation, through the theory underlying their structures along with the many ways in which they can be analysed and interpreted. From the outset, it is abundantly clear that this book's audience is primarily academic film scholars and musicologists although musicians and composers will likely also glean value from this work. The more casual reader may find this book less engaging although anyone with a love of movie soundtracks may still garner considerable edification and enjoyment from consulting it.
机译：本书的核心是从众多学者和有创造力的才华中收集的论文集，内容涉及审查电影中音乐播放的广泛功能。编辑的目的是通过其结构所依据的理论以及可以对其进行分析和解释的多种方式，为读者提供电影配乐的概述，包括其创作中所花费的智力和创造力。从一开始，就很清楚这本书的读者主要是电影学者和音乐学者，尽管音乐家和作曲家也很可能从这项工作中获得价值。随便的读者可能会觉得这本书不太吸引人，尽管热爱电影原声的任何人仍然可以从咨询中获得很大的启发和乐趣。

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  • 来源
    《Reference reviews》 |2017年第6期|34-35|共2页
  • 作者

    Gareth J. Johnson;

  • 作者单位

    School of Arts and Humanities, Nottingham Trent University, Nottingham, UK;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

    Cinema; Music; Film;

    机译：电影;音乐;电影;

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