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On 'Aesthetic Publics': The Case of VANTAblack®

机译:关于“审美公众”:VANTAblack®案例

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摘要

This exploratory paper investigates the enactment of a number of “publics” in relation to a recent, ostensibly “technical”, innovation, namely, the nanotechnology V ertically A ligned N ano t ube A rray-black (VANTAblack®). In particular, we show how various representations of VANTAblack—as technical artifact, as an exclusive artist’s material, as an exciting coating for a mass-produced commercial product, and as an object of science communication—implicate different “aesthetic experiences”. We discuss these aesthetic experiences in terms of the enactment of four distinct “aesthetic publics.” We then consider the possible analytic value of the concept of aesthetic publics, not least in relation to the “opening up” and “closing down” of the potential debates that might attach to emerging technologies.
机译:这份探索性论文研究了与最近表面上看似“技术”上的创新有关的许多“公众”的制定,即纳米技术垂直上被归纳为纳米级的黑(VANTAblack®)。特别是,我们将展示VANTAblack的各种表现形式-作为技术人工制品,作为独家艺术家的材料,作为批量生产的商业产品的令人兴奋的涂料以及作为科学交流的对象-蕴含着不同的“审美体验”。我们通过制定四个不同的“审美公众”来讨论这些审美经验。然后,我们考虑美学公众概念的可能分析价值,尤其是与新兴技术可能引发的辩论的“开放”和“关闭”有关。

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