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The Munsell Color System: A scientific compromise from the world of art

机译：孟塞尔色彩系统：艺术世界的科学折衷方案

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Color systems make accurate color specification and matching possible in science, art, and industry by defining a coordinate system for all possible color perceptions. The Munsell Color System, developed by the artist Albert Henry Munsell in the early twentieth century, has influenced color science to this day. I trace the development of the Munsell Color System from its origins in the art world to its acceptance in the scientific community. Munsell's system was the first to accurately and quantitatively describe the psychological experience of color. By considering the problems that color posed for Munsell's art community and examining his diaries and published material, I conclude that Munsell arrived at his results by remaining agnostic as to the scientific definition of color, while retaining faith that color perceptions could be objectively quantified. I argue that Munsell was able to interest the scientific community in his work because color had become a controversial topic between physicists and psychologists. Parts of Munsell's system appealed to each field, making it a workable compromise. For contrast, I suggest that three contemporary scientists with whom Munsell had contact - Wilhelm Ostwald, Ogden Rood, and Edward Titchener - did not reach the same conclusions in their color systems because they started from scientific assumptions about the nature of color.
机译：色彩系统通过为所有可能的色彩感知定义坐标系，从而使精确的色彩规格和科学，艺术和行业中的匹配成为可能。由艺术家阿尔伯特·亨利·孟塞尔（Albert Henry Munsell）在20世纪初开发的孟塞尔色彩系统（Munsell Color System）至今影响着色彩科学。我追踪了孟塞尔色彩系统的发展，从其在艺术界的起源到在科学界的认可。孟塞尔的系统是第一个准确，定量地描述色彩心理体验的系统。通过考虑色彩为孟塞尔的艺术界带来的问题，并检查他的日记和出版的材料，我得出结论，孟塞尔通过对色彩的科学定义保持不可知性，同时保留了对色彩感知可以客观量化的信念，得出了他的结果。我认为芒塞尔之所以能够引起科学界的兴趣，是因为色彩已经成为物理学家和心理学家之间有争议的话题。孟塞尔系统的某些部分吸引了每个领域，这是可行的折衷方案。相比之下，我建议与Munsell接触过的三位当代科学家-Wilhelm Ostwald，Ogden Rood和Edward Titchener-在他们的色彩系统中没有得出相同的结论，因为他们是从对色彩本质的科学假设出发的。

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