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首页> 外文期刊>The RUSI journal >ARTISTIC SOLDIERS: A REVIEW OF THE EXHIBITION THE ARTISTS RIFLES: FROM PRE-RAPHAELITES TO PASSCHENDAELE
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ARTISTIC SOLDIERS: A REVIEW OF THE EXHIBITION THE ARTISTS RIFLES: FROM PRE-RAPHAELITES TO PASSCHENDAELE

机译：艺术士兵：艺术家步枪展览回顾：从前拉斐尔主义者到帕森代勒

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摘要

It was never going to be easy for an exhibition related to the First World War to get noticed in this centenary year of commemoration, when such exhibitions are popping up everywhere. That is, of course, unless the exhibition in question has a unique focus to it. The Artists Rifles: From Pre-Raphaelites to Passchendaele offers precisely that. The exhibition represents a very personal take on the marriage of artists with military life. The Artists Rifles, a unit of volunteers fired with patriotic zeal, was founded as the 38th Middlesex (Artists') Rifle Volunteer Corps in 1860, when invasion by the French was considered a serious possibility. The early enrolment contained a significant proportion of painters, many of whom had already established successful careers. It is worth noting that becoming a volunteer rifleman was a considerable commitment for a working artist, involving a minimum of eight drills a month.
机译：在本世纪的纪念年中，与第一次世界大战有关的展览在任何地方都突然出现，这绝非易事。那当然是，除非所涉及的展览有其独特的重点。艺术家步枪：从拉斐尔前派分子到帕斯金达勒都提供了这一点。该展览代表了艺术家与军事生活的婚姻的非常个人化的见解。 “艺术家步枪”是一个以爱国热情解雇的志愿者单位，成立于1860年，是第38个Middlesex（艺术家）步枪志愿军，当时被法国人入侵的可能性很大。早期入学的画家中有很大一部分，其中许多人已经建立了成功的职业生涯。值得注意的是，成为一名自愿的步枪手对于一个正在工作的艺术家来说是一个巨大的承诺，每月至少要进行八次演习。

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  • 来源
    《The RUSI journal》 |2014年第3期|90-93|共4页
  • 作者

    ANTONIA WHITLEY;

  • 作者单位

    King's College London;

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  • 正文语种 eng
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