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Lighting works of art by Titian

机译:提香的照明艺术品

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After the discovery of the possibility to render visual works of art three-dimensional - based on a deeper understanding of the theory of neuroscience - Francesco lannone and Serena Tellini from Consuline in Milan/I designed the lighting for an exhibition of the works of Lorenzo Lotto, which was shown at the Scuderie del Quirinale in Rome in 2011. Targetti developed a DMX-controlled fixture (Photon Free) in accordance with the designers' brief that would allow the spectral composition of the light emitted to be adjusted to bring out the colours or quality of the paintings. Visitors to the Lotto exhibition perceived the paintings as if with different eyes. By addressing human mirror neurons the lighting was able to arouse an emotional response from the person contemplating a work of art. Neuroaesthetics explains this phenomenon well: the sub-discipline of empirical aesthetics uses neuroscience to explain and understand aesthetic experiences at the neurological level. Francesco lannone quotes Joachim Ritter after viewing the Lotto exhibition in 2011: "We have to stop talking about light and uncovering the power of light for others, and start asking the people what they see". lannone refers to this as a legendary phrase, and obviously took it very seriously.
机译:发现对三维视觉艺术作品进行渲染的可能性后-基于对神经科学理论的更深入理解-来自米兰Consuline的Francesco lannone和Serena Tellini /我为洛伦佐·乐透的作品展览设计了照明,这是在2011年在罗马的Scuderie del Quirinale上展出的。Targetti根据设计师的简介开发了DMX控制的灯具(无Photon),该灯具可以调整发射光的光谱成分,以带出色彩或画质。乐透展览的参观者仿佛是用不同的眼睛看这些画。通过对人的镜面神经元讲话,照明能够引起考虑艺术品的人的情感反应。神经美学很好地解释了这种现象:经验美学的子学科使用神经科学来解释和理解神经学层面的审美经验。 Francesco lannone在观看了2011年的Lotto展览后引用了Joachim Ritter的话:“我们必须停止谈论光,为他人发现光的力量,并开始向人们询问他们所看到的东西。” lannone将此称为传奇短语,显然非常重视它。

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